Watch: Cidade de Deus 2002 123movies, Full Movie Online – Brazil, 1960s, City of God. The Tender Trio robs motels and gas trucks. Younger kids watch and learn well…too well. 1970s: Li’l Zé has prospered very well and owns the city. He causes violence and fear as he wipes out rival gangs without mercy. His best friend Bené is the only one to keep him on the good side of sanity. Rocket has watched these two gain power for years, and he wants no part of it. he keeps getting swept up in the madness. All he wants to do is take pictures. 1980s: Things are out of control between the last two remaining gangs…will it ever end? Welcome to the City of God..
Plot: In the slums of Rio, two kids’ paths diverge as one struggles to become a photographer and the other a kingpin.
Smart Tags: #photographer #slum #gang #brazil #favela #coming_of_age #murder_of_a_child #south_america #latin_america #hood #violence #criminal #thug #motel #drug_dealer #1980s #1970s #in_medias_res #armed_robbery #illegal_drugs #newspaper
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8.6/10 Votes: 755,381 | |
91% | RottenTomatoes | |
79/100 | MetaCritic | |
N/A Votes: 6126 Popularity: 40.705 | TMDB |
City of God was Incredible
I knew nothing of this film before I saw it by chance in a rare Pub open screening, but boy was I glad I got the chance to take a look. I was riveted all night – I completely ignored my friends! I thought it was an awesome re-enactment of a true story – powerful, moving, raw, real – and even funny in parts. I walked away afterwards, beaming. It’s rare a great film like this is made, especially these days. I gave it ten out of ten. Please see it if you can.
One of the best unseen foreign films
I have seen this movie only recently (2005) and it’s easily one of the better foreign films I have seen. Actually, it’s probably just about one of the best films I had ever seen.The characters really make this movie come alive with each of their compelling personalities shining though in the backdrop of oppressive conditions and constant violence. One thing which clearly comes to mind is “Lil’ Dice’s” ear to ear smile – so vivid and yet so ironic since he personifies pure evil.
The City of God is a world you don’t want to visit, it won’t be featured on a post card, and it’s said to be the city ignored by god himself. This movie makes you feel uncomfortable, puts you on the edge of your seat — you are right into the middle of the City and you too are caught up in it’s violent temptation. More importantly, it’s about the triumph of the human spirit against all odds.
This movie in effect is fast paced and hard to follow (with the added stress of subtitles over Portuguese), but it’s worth it; and in fact really adds to the impetuous and impulsive undertones of the movie. In addition, the quintessential Brazilian music blending into the film like a well made Caprahina makes it feel authentic like the Italian music in the God Father.
You see the flaws of these men played out in an almost fatalistic nature — hated, greed, futility; and in it all we see ourselves, our own flaws, and our own condition.
Original Language pt
Runtime 2 hr 10 min (130 min), 2 hr 15 min (135 min) (Toronto International) (Canada)
Budget 3300000
Revenue 30641770
Status Released
Rated R
Genre Crime, Drama
Director Fernando Meirelles, Kátia Lund
Writer Paulo Lins, Bráulio Mantovani
Actors Alexandre Rodrigues, Leandro Firmino, Matheus Nachtergaele
Country Brazil, France, Germany
Awards Nominated for 4 Oscars. 74 wins & 50 nominations total
Production Company N/A
Website N/A
Sound Mix Dolby Digital, SDDS
Aspect Ratio 1.85 : 1
Camera Aaton 35-III, Zeiss Super Speed Lenses, Aaton A-Minima, Zeiss Super Speed and Angenieux HR Lenses, Aaton XTR Prod, Zeiss Super Speed and Angenieux HR Lenses
Laboratory Estúdios Mega, São Paulo, Brazil (digital intermediate), Megacolor, São Paulo, Brazil
Film Length (7 reels), 3,573 m (Sweden), 3,557 m (Switzerland)
Negative Format 16 mm (Eastman EXR 50D 7245, Kodak Vision 250D 7246, Vision 200T 7274, Vision 500T 7279), 35 mm (Eastman EXR 50D 5245, Kodak Vision 250D 5246, Vision 200T 5274, Vision 500T 5279)
Cinematographic Process Digital Intermediate (2K) (master format), Super 16 (source format), Super 35 (source format)
Printed Film Format 35 mm (spherical) (partial blow-up) (Kodak Vision 2383, Vision Premier 2393)