Bright Lights: Starring Carrie Fisher and Debbie Reynolds 2017 123movies

Watch: Bright Lights: Starring Carrie Fisher and Debbie Reynolds 2016 123movies, Full Movie Online – Carrie Fisher and Debbie Reynolds star in a tender portrait of Hollywood royalty in all its eccentricity. From the red carpet to the back alleys behind it, the documentary is about the bonds of family love, which are beautifully bitter-sweet..
Plot: An intimate portrait of Hollywood royalty featuring Debbie Reynolds, Todd Fisher, and Carrie Fisher.
Smart Tags: #love #mother_daughter_relationship

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Ratings:

	7.9/10 Votes: 3,464
	100% | RottenTomatoes
	78/100 | MetaCritic
	N/A Votes: 64 Popularity: 7.55 | TMDB

Reviews:

My Favorite Moments
I enjoyed this documentary very much, having been a huge fan of Debbie Reynolds my whole life. When I was young, my mother used to take me to see all of her movies, and the first time I was ever in a movie theater, I saw “Bundle of Joy”, one of my favorites.

However, the most enjoyable part of this documentary for me was the opening credits (if I remember correctly) when they were playing a recording of Eddie Fisher, Carrie and Todd’s father. I didn’t recognize the song, but I was totally moved by his beautiful voice. Voices like that are very rare, and it just saddens me that with the usual fall into obscurity for performers, as Carrie Fisher points out, it made a more rapid decline in his case due to his personal life choices. Yet, for just a few moments, I could be enraptured and carried away by the sound of his beautiful voice and musicality.

“She’s IS Christmas. It’s a special thing.” – Carrie Fisher on Debbie Reynolds
As some other critics have noted, it’s sort of like Grey Gardens lite, but I have to wonder if any/everyone who wrote about this following it’s New York Film Festival premiere (or any other fest screenings) have to revisit their opinions following the final sucker-punch celebrity deaths of Fisher followed by Reynolds in 2016.

I’m of two minds on this: yes, there may not be too much different in seeing these natural-born-entertainer-Characters (though Reynolds more-so, they can’t seem to help breaking out into song, and usually they both know the words), and no, there is a sadder pall on everything knowing they’re gone and, as the Rolling Stones sang, ‘This could be the last time, maybe the last time, I don’t know,’ and we do know for Reynolds it is and for Fisher (who mentions she’s off to shoot Force Awakens and is shooting it during the filming of the doc) it is too.

In a way though it’s about a mother and daughter, the through-line is really about Reynolds and her long, winding goodbye to entertainment; she does a concert to a large sports-style auditorium, and while she’s not singing badly one can see the lights are trying to hide that the auditorium is not full and how she can barely get down the stairs from the stage. But she can’t stop/won’t stop, so who knows if her “final” show in Las Vegas, where she requests Carrie to come on stage to sing (with, as Carrie shows, awkwardly scripted banter for them to do).

The question through much of what is a scattered-in-structure document of two people at a particular time looking back at things is: how do you ever end being “you”, whether that’s Debbie Reynolds or Carrie Fisher? There are some scenes that are extraneous, if I can step back and look at it critically as a documentary. Even at 93 minutes it may be too long. But you can’t escape how meaningful this is now seeing it with the context of knowing this is a tribute to these wonderful people as much as it’s a document of their relationship. It’s both, really, and you know for all the pain that they’ve caused each other, with Postcards from the Edge as a prime example of their contentious moments, there’s real love and friendship. Not to mention there’s brother/son Todd Fisher, the brother who may be *weirder* in some ways (with his movie posters chronicling how his parents started out and then came together and split apart, and his Knight Rider car which is simply WTF), on the sidelines, part of it but too “normal” as a nice little boy who grew up around all this.

So if you like or even have some passing admiration for Reynolds, who seems like a born entertainer but really did have to work at it (being naturally beautiful helped too, but being molded by the MGM studio system was the key – as someone here says, maybe Carrie, she couldn’t help but be ‘on’ all the time), and Fisher, who struggled for years with bi-polar disorder and a host of other addictions and ailments to still be around for her, and the mother for her daughter. Along the way there are nice ‘cameos’ from Griffin Dunne (who introduces himself at the foot of Fisher’s stairs yelling, “hey, f***face” with affection), and Barbara Streisand on the TV.

PS: No, really, a Knight Rider car? Really? PPS: The footage of Fisher at a convention doesn’t quite sync up to what she wrote about in her book, The Princess Diarist, but why carp?

Other Information:

Original Language en
Runtime 1 hr 35 min (95 min)
Budget 10000000
Revenue 0
Status Released
Rated TV-14
Genre Documentary
Director Alexis Bloom, Fisher Stevens
Writer N/A
Actors Debbie Reynolds, Carrie Fisher, Todd Fisher
Country United States
Awards Nominated for 2 Primetime Emmys. 1 win & 6 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix N/A
Aspect Ratio 1.78 : 1
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format N/A
Cinematographic Process N/A
Printed Film Format N/A