Bloody Angels 1998 123movies

Watch: 1732 Høtten 1998 123movies, Full Movie Online – På det lille stedet Høtten ble det for seks måneder siden begått et seksualdrap på 13 år gamle Katarina. Nå er det skjedd et nytt dødsfall – en av de to brødrene som mistenkes for det uoppklarte drapet blir funnet druknet. Dermed intensiveres etterforskningen. Forsterkninger kommer til stedet i form av den garvede Kripos-etterforskeren Nicholas Ramm (Reidar Sørensen). Etter hvert som Ramm går det lille samfunnet nærmere i sømmene, sniker det seg en uro inn under hans blå vinterfrakk. Fra å møte Høtten, med sin lekne urbane tilnærming, blir han drevet inn i et spill han etter hvert mister kontrollen over. Tvunget inn i et skjebnefelleskap mesannheten som et sjokk i det vinterbleke Høtten. Og den er langt verre enn Ramm hadde forestilt seg..
Plot: A few months after a girl with developmental disabilities is murdered in the remote village Høtten, the two young men who most townsfolk think killed her go missing. A police detective is sent to investigate and finds this very challenging.
Smart Tags: #child_with_a_gun #gun #rape_and_revenge #revenge #female_police_officer #redneck #girl_with_an_intellectual_disability #person_with_an_intellectual_disability #intellectual_disability #murder_of_an_intellectually_disabled_person #school #kidnapping #address_as_title #self_help #balaclava #cola #rape #tie #norway #murder #priest

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Ratings:

	5.8/10 Votes: 490
	75% | RottenTomatoes
	N/A | MetaCritic
	N/A Votes: 7 Popularity: 1.167 | TMDB

Reviews:

Angels Without Mercy
Clearly the Norwegian jury doesn’t agree (read the other comments) but I think this Scandinavian take on David Lynch’s TWIN PEAKS (hey, that’s what they’re marketing it as, so call me lazy, see if I care !) is one of the more startling cinematic experiences to come along in many a year. First time director Karin Julsrud didn’t intend her fable of how violence can only breed more of the same to be taken as a documentary but as the idiosyncratic mix of drama, comedy and horror which led publicists to make the comparison in the first place. Unlike Lynch however, Julsrud doesn’t let the viewers off the hook at film’s end with a far-fetched supernatural conclusion but forces them to confront their own dark side by making some of the violent outbursts her film suggests (but rarely shows) seem ‘righteous’ at first, though that doesn’t stop them from poisoning the close-knit society they sprang from. Opening with an atonal rendition of ‘When the Saints Come Marching In’, this spellbinding thriller charts the investigation led by big city cop Nicholas Ramm into the small town murders of a mentally retarded girl and one of the alleged perpetrators of that crime. To reveal more would take away much of the film’s pleasures as well as shocks. Progressing thoughtfully, Julsrud has enlivened her narrative with such a wealth of telling details that you may need to see this one more than once. I for one welcome that prospect.

Annoyingly clever
A Norwegian mystery thriller that tries hard, very hard, to be clever. Nicholas Ramm (Reidar Sorensen) is a cynical city cop dispatched to an end-of-the-world province to solve a double murder. He is confronted with the Nordic version of omerta and must learn that the whole hicktown has conspired against him. Though on the outset, it seems like it has many ingredients going for it, 1732 Hotten was recklessly turned into a grade-A stinker by a bunch of taut overachievers. For one, everyone in the film, right down to the faintest supporting act, is a confirmed and heavily overdrawn nutcase, which despite the partly good acting becomes unbearable after just ten seconds. The music score, a poor man’s Tom Waits (is that a pleonasm?) imitation, is the most annoying single piece of dreck ever to come out of a synthesizer; worse, it mostly kicks in for no reason other than making you beg your ears fell off. The same goes for the camera work, which is hardly ever purpose-driven and instead veers off into some of the most complacent film academy mannerisms to-date. The transitions, takes, and cuts are so deliberately arty that it hurts a blind man’s eye, while the few physical action scenes look downright ridiculous. The fundamental problem with this film is that there’s too much of everything: too much madness, too much bigotry, too much mystery, too much cynicism… And just when you think you’re finally over it, this silly little cockroach of a film turns into a hideous monster, topping all the incoherences it’s been churning out by staging one of cinema’s most infuriatingly deceptive ends. I do sympathize with the Norwegian fraction that has expressed its anger on this site. Not that you’d necessarily expect a naturalist depiction of rural Norway – but even if your option is atmosphere, there has got to be some credibility. Excentricity has to be authentic, too. Director Karin Julsrud should burn all her Lynch and Coen tapes and go fishing.

Other Information:

Original Language no
Runtime 1 hr 40 min (100 min)
Budget 0
Revenue 0
Status Released
Rated R
Genre Horror, Thriller
Director Karin Julsrud
Writer Finn Gjerdrum, Kjetil Indregard
Actors Reidar Sørensen, Jon Øigarden, Gaute Boris Skjegstad
Country Norway
Awards 2 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby SR, Dolby Digital
Aspect Ratio N/A
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format N/A
Cinematographic Process N/A
Printed Film Format 35 mm