Blood Quantum 2019 123movies

Watch: Blood Quantum 2019 123movies, Full Movie Online – The term “blood quantum” refers to a colonial blood measurement system that is used to determine an individual’s Indigenous status, and is criticized as a tool of control and erasure of Indigenous peoples. The words take on even more provocative implications as the title of Jeff Barnaby’s sophomore feature, which grimly depicts an apocalyptic scenario where in an isolated “Mi’gmaq” community discover they are the only humans immune to a zombie plague. As the citizens of surrounding cities flee to the “Mi’gmaq” reserve in search of refuge from the outbreak, the community must reckon with whether to let the outsiders in – and thus risk not just the extinction of their tribe but of humanity, period. The severe and scathing portrait of post-colonial Indigenous life and culture that Barnaby previously captured in the acclaimed Rhymes for Young Ghouls here deftly collides with the iconography and violent hyperbole typical of the zombie genre. The Undead are spectacularly and gruesomely dispatched via samurai swords, chainsaws, shotguns, and makeshift axes, while the living – a terrific ensemble cast led by Michael Greyeyes (Woman Walks Ahead and Fear the Walking Dead) – endure the paranoid pressures that such dire straits foment. In this iteration, however, Barnaby takes full advantage of the canvas zombie films regularly afford for cultural critique, exploring racism, colonialism, and the very real threat of extinction that Indigenous communities have experienced for generations. Further accentuated by arresting animated chapter breaks that instill a cool comic-book aesthetic to its horrific proceedings, Blood Quantum is as powerful an entry into the annals of zombie cinema as the devastating conclusion to George Romero’s 1968 original Night of the Living Dead, and a meaningful demonstration of how marginalized voices – when given the opportunity – can resurrect a tired genre with incendiary new life..
Plot: The dead are coming back to life outside the isolated Mi’kmaq reserve of Red Crow, except for its Indigenous inhabitants who are strangely immune to the zombie plague.
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Ratings:

	5.6/10 Votes: 4,641
	90% | RottenTomatoes
	63/100 | MetaCritic
	N/A Votes: 129 Popularity: 12.226 | TMDB

Reviews:

When it comes to stories about the undead, there’s no shortage of bloody zombie action flicks. But you shouldn’t be so quick to dismiss “Blood Quantum,” now streaming exclusively on Shudder, as more of the same. Writer / director Jeff Barnaby gives the genre fans what they crave, but elevates the message behind the horror. His provocative film is loaded with sociopolitical commentary about colonialism, class, xenophobia, and a scathing critique of racism, all under the banner of a kick ass movie about the walking dead.

The dead are coming back to life near the isolated Mi’gMaq reserve of Red Crow, but the Indigenous inhabitants discover they’re immune to the impending zombie plague. The tribal sheriff must protect his son’s pregnant girlfriend, apocalyptic refugees seeking safety, and the residents from the hordes of walking white corpses. It’s a politically charged plot that puts a fresh spin on the genre.

The film has an indigenous cast, which is commendable, but the mediocre acting and stiff performances prove distracting. It should be good enough for horror fans, especially when the splattered brains, gore, guts, and brutal violence command the thrilling fight scenes. The horror effects are solid, and the story moves along at a breezy pace (no time is wasted here, as the film jumps right into the action from the first frame).

The big zombie killin’ finale is gruesome and satisfying, but the emotional last act is what will stick with me for a long, long time. It’s unexpectedly heartbreaking, and ends the story with a deafening silence and sadness. This isn’t your average horror film, and is a must-see for those who enjoy a little brainy (pun intended) commentary with their apocalyptic movies.

I wanted to like this film. I really did. But I either didn’t get the film, or the film was really bad. I know, the zombie film theme is done to death (pardon the pun) and this film certainly brings a breath of fresh air to the genre by mixing Indian elements to it, but that’s about it. I see nothing else unique about this zombie film compared to many others. And I have very low standards when it comes to zombie films. Usually like most of them. Somehow, this film didn’t do it for me.

Would I watch it again? No. Would I make my friends watch it? Hell no!

A zombie flick with social awareness that would make George Romero proud
“Just like the dog. Just like the fish.” The dead are coming back to life in Jeff Barnaby’s socially aware zombie flick, Blood Quantum. As an impressive ode to the legacy of George A. Romero, Barnaby has given us a tale of the end of the world-where only indigenous peoples are spared as the world burns in chaos.

Six months after the apocalypse, those who have survived now reside on Mi’gMaq reserve of Red Crow, where they have regrouped and implemented new rules to live by. Along with mostly indigenous people, a small handful of non-indigenous survivors have escaped the dead for now.

Joseph (Forrest Goodluck) and Lysol-yes that was the character’s name well before Covid introduced surreal anecdotes regarding disinfectants, (Kiowa Gordon) are two brothers who have arrived at fundamentally different understanding as to why the dead keep coming back to life.

The relationship between the two brothers is in constant flux as they try to grasp the fact that their father; town sheriff (Michael Greyeyes) was never around for his first born, Lysol, but was seemingly always present for Joseph, to dire consequence for the two brothers.

Just as the community of survivors comes to find practicality in their new reality a war is waged and a final battle begins, pinning the walking dead and humans alike of one belief system against people of a different view. In the third and final act the depravity of men becomes worse than what Mother Earth has unleash.

With a little tightening of the wrench, Blood Quantum could compete with the best of ’em. It is an entertaining zombie film; those of us who love the genre will especially dig it. The movie’s message is spelled out clearly and it plays out well as the metaphor that all of our decisions will come back and haunt us. Had the dialog used a little fine tuning, Blood Quantum could soar.

Seen at TIFF (2019)
With the lack of a trailer or really any information, I had no idea what to expect from this film, especially the tonality. The worry I have when watching a new Canadian film is that it will be as the majority are; slow, cheap, and morbid. But, I’m thankful to say Blood Quantum is a step above the average morbid Canadian film, and it even manages to get an important and overlooked message across amidst all the blood and gore.

The performances are all around very good, and to my satisfaction felt like honest portrayals of the Indigenous peoples of Canada. And the fact that a movie like this exists, featuring a majority-Indigenous cast in a bloody, gory zombie film, is very exciting for the ever growing presence of Indigenous peoples in cinema.

This film also offered a ton of blood and gore, which starts I’d say not even 10 minutes into the film. No time is wasted getting to all of the gory fun stuff, but it doesn’t forget about its characters, managing to create relationships which I became invested in. I would say I think the handling of some critical moments of emotion could have been handled with a little more power, but with that said, the tone of this film is fairly lighthearted at times despite its core message (this is not to say the film is lighthearted). And I should also add, the gore effects are all awesome. Lots of practical work done, and so much of it is very creative and inventive. I had a blast during these scenes, and there are more than enough of them.

I could go on about the minimal, but very good musical score, which builds a tension of eeriness, and at times reminds you that this is in fact an indigenous film. The cinematography is also very good for a Canadian production, with most of the lighting and blocking feeling very expensive and consistent. Some aerial shots even reminded me of the intro to Kubrick’s ‘The Shining’ in which a camera hauntingly looms over the Torrance car.

I enjoyed this film, and it offers a lot of quality effects, passion, and entertainment to be had. Not to mention it manages to leave us with an important, optimistic look towards the future relationship between the Indigenous peoples of Canada and the non-indigenous (English) peoples of Canada, a message that needs to be in the minds of every Canadian today and so forth.

If you get the chance to see this film, do see it, and pay for a ticket if you have the option, because there’s no telling how much box office success a film like this will attain, and it deserves more than it may very well get.

7/10

Other Information:

Original Language en
Runtime 1 hr 38 min (98 min), 1 hr 36 min (96 min) (Canada)
Budget 0
Revenue 0
Status Released
Rated Not Rated
Genre Drama, Horror
Director Jeff Barnaby
Writer Jeff Barnaby
Actors Michael Greyeyes, Elle-Máijá Tailfeathers, Forrest Goodluck
Country Canada
Awards 9 wins & 7 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix N/A
Aspect Ratio 2.39:1
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format N/A
Cinematographic Process N/A
Printed Film Format N/A