Bend of the River 1952 123movies

Watch: Bend of the River 1952 123movies, Full Movie Online – Two men with questionable pasts, Glyn McLyntock and his friend Cole, lead a wagon-train load of homesteaders from Missouri to the Oregon territory. They establish a settlement outside of Portland and as winter nears, it is necessary for McLyntock and Cole to rescue and deliver food and supplies being held in Portland by corrupt officials. On the trip back to the settlement, up river and over a mountain, Cole engineers a mutiny to divert the supplies to a gold mining camp for a handsome profit..
Plot: Two men with questionable pasts, Glyn McLyntock and his friend Cole, lead a wagon-train load of homesteaders from Missouri to the Oregon territory…
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Ratings:

	7.3/10 Votes: 8,968
	100% | RottenTomatoes
	N/A | MetaCritic
	N/A Votes: 134 Popularity: 7.805 | TMDB

Reviews:

Biscuits, apples and the troubled past.

The second of five genre defining Westerns that director Anthony Mann made with James Stewart, Bend Of The River was the first one to be made in colour. The slick screenplay is written by Borden Chase, adapted from William Gulick’s novel “Bend Of The Snake,” with support for Stewart coming from Arthur Kennedy, Julie Adams, Rock Hudson & Jay C. Flippen.

Stewart plays guide Glyn McLyntock who in 1847 is leading a wagon – train of homesteaders from troubled Missouri to the Oregon Territory. What the group are hoping for is a new start, a paradise, with McLyntock himself hoping for a new identity to escape his own troubled past. Unfortunately, after rescuing Emerson Cole (Kennedy) from a lynching, it’s an act that once McLyntock and the group get to Portland turns out to have far reaching consequences.

In typical Anthony Mann style, McLyntock is a man tested to the maximum as he seeks to throw off his shackles and find a new redemption within a peaceful community. Cloaked in what would be become Mann’s trademark stunning vistas (cinematography courtesy of Irving Glassberg), Bend Of The River is often thought of as the lighter tale from the Stewart/Mann partnership. This is most likely because it has more action and no little amount of comedy in the mix, yet although it’s a simple story in essence, it is however given a hard boiled and psychological edge by the makers. An edge that asks searching questions of the “hero” in waiting. Can “McLyntock” indeed escape his past? And as a “hero” is it OK to use violence when he is wronged? This is potent stuff that is acted with tremendous gravitas by Stewart.

One of the main plus points on offer is that of having a strong cast operating within. It’s thrilling for a Western fan to see Stewart and Kenendy side by side, particularly as the screenplay provides them much opportunities for machismo play. There’s also a surprise in store, further allowing two fine actors of their era to solidify the film’s credentials. Flippen is a reassuring presence, overseeing things like a genre uncle, Hudson rocks up for some dandy dude duties who joins in the gun play, and Adams (here billed as Julia Adams) is beautifully vivid under Glassberg’s colour lenses.

Bend of the River is very much a recommended picture, as in fact are the other four films on the Mann/Stewart CV. 7.5/10

Jimmy Stewart (“McLyntock”) is great in this grand-scale western as a gent, with his pal “Cole” (Arthur Kennedy) who leads a group of settlers through the wilds of Oregon. As the hard winter approaches, the pair set off to obtain their winter supplies but fall foul of some crooked officials in Portland. They end up having to shoot their way out of town, with a bit of help from Rock Hudson (“Wilson”) but that’s the just the start of his troubles. The scenery is spectacular and, together with a rousing score from Hans Salter creates a good framework for a story that demonstrates the true pioneering spirit of these homesteaders, as well as plenty of more human failings – a fair smattering of greed, envy, and betrayal. It packs loads of story into 90 minutes, with some strong characterisations and even the romance is kept to a functional minimum! Plenty to like here…

Survival
Bend of the River is the second Anthony Mann/James Stewart western and the first in technicolor. The technicolor is used to best advantage here with some great footage of the Columbia River and surrounding vicinity. And Mann used in support of Stewart, Jay C. Flippen, Harry Morgan, Arthur Kennedy and Rock Hudson all of whom had appeared in Mann films before and/or would again. Anthony Mann is never given credit for the stock company he had. Like John Ford, Mann liked using the same players in his films.

Jimmy Stewart is guiding a group of settlers west and along the way saves Arthur Kennedy from a lynching. Turns out they’re both former border raiders from the Missouri/Kansas area, but Stewart’s decided to go honest.

When they arrive in Portland, the settlers are warmly greeted and a deal is made by settler leader Jay C. Flippen for needed supplies for his people during the winter.

When Stewart and Flippen return for the supplies, there’s been a gold strike and the town is mad with gold fever. They have to take what was due them and then have to fight to get the supplies back to the settlers. Seems some prospectors want them also.

The point is that there are no options for Stewart and Flippen. These supplies have to get to their colony or they will freeze and starve during the winter. They have to fight prospectors, townspeople and treachery in their own group to get the goods where they are needed.

There’s no law here to help them. It’s broken down totally along with all kinds of behavioral virtues when gold fever has struck. One of the best performances in the film comes from Howard Petrie town merchant who can’t do enough for the settlers on their first arrival. When we see him next when Stewart and Flippen come for their goods, it’s like we’re seeing a totally different human being. Petrie has practically morphed into Fred C. Dobbs.

I don’t think Jimmy Stewart has ever been more ruthless on the screen than he is here. His characters in Anthony Mann films are always purpose driven whether it’s revenge like in Winchester 73, an outlaw bounty so he can start a new life in The Naked Spur, or even an idea he has like offshore oil drilling in Thunder Bay.

But in Bend of the River it’s a matter of survival and to prove to himself that he can and has changed his character for the better. It’s as much an internal struggle for Stewart as it is with the forces allied against him.

It’s another ten star winner for the Stewart/Mann team.

Why haven’t I heard of this fantastic movie before?
Being a huge movie buff, I had thought I had seen every western film ever made with the leading actors of the mid-20th century. We purchased a DVD with 4 old westerns starring James Stewart – “Bend of the River” was the first on the disk. I had never heard of it, but the cast included Rock Hudson and Harry Morgan so I thought it would be interesting at least.

It started out with action right from the start – which really caught me off-guard. I kept thinking to myself that it must get really slow/boring/stupid or something to merit it’s lack of public awareness. Not so – this film kept me completely rapt with all its twists and turns.

The writing was incredible – comedy, drama and human angst all combined within a scene and then again, and again throughout the story. You felt you could relate to each character, no matter how minor or repugnant their role.

I am also a history buff with respect to ghost towns and the Gold Rush. What I have read about the real prospectors and the greedy businessmen who preyed on their pursuit of riches only enhances the believe- ability of this story.

Regardless of the goofs, errors or historical/geographical inaccuracies that have been listed within this site – this movie is a real gem.

Other Information:

Original Language en
Runtime 1 hr 31 min (91 min), 1 hr 41 min (101 min) (DVD) (USA)
Budget 0
Revenue 0
Status Released
Rated Approved
Genre Action, Adventure, Romance
Director Anthony Mann
Writer Borden Chase, William Gulick
Actors James Stewart, Rock Hudson, Arthur Kennedy
Country United States
Awards N/A
Production Company N/A
Website N/A

Technical Information:

Sound Mix Mono (Western Electric Recording)
Aspect Ratio 1.37 : 1
Camera N/A
Laboratory Technicolor, Hollywood (CA), USA (color)
Film Length (10 reels), 2,400 m (Yugoslavia)
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm