Back to the Future Part III 1990 123movies

Watch: Back to the Future Part III 1990 123movies, Full Movie Online – Stranded in 1955, Marty McFly receives written word from his friend, Doctor Emmett Brown, as to where can be found the DeLorean time machine. However, an unfortunate discovery prompts Marty to go to his friend’s aid. Using the time machine, Marty travels to the old west where his friend has run afoul of a gang of thugs and has fallen in love with a local schoolteacher. Using the technology from the time, Marty and Emmett devise one last chance to send the two of them back to the future..
Plot: The final installment of the Back to the Future trilogy finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
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Ratings:

	7.4/10 Votes: 447,008
	80% | RottenTomatoes
	55/100 | MetaCritic
	N/A Votes: 9027 Popularity: 22.295 | TMDB

Reviews:

Oh, I know you did send me back to the future. But I’m back! I’m back from the future.

Doc Brown is back in 1885 in the Old West, soon to be joined by Marty who has found that Doc is in mortal danger from Burford “Mad-Dog” Tannen.

Rounding out what turned out to be a hugely popular trilogy, Back to the Future Part III restored the core essence heart of Part 1, whilst simultaneously tying up all the threads with a fully formed story. More sedate in its telling (not hard following on from the manic pacing of part 2) part 3 fuses science fiction malarkey with, well, Western malarkey. All played out with the usual array of clever jokes and series reprises – only in a Wild Wild West setting. An interesting point to note is how the roles of Doc & Marty have been reversed from the first film, here Marty is the maniacal plot axis, whizzing around getting into scrapes as Doc ambles around in love, courtesy of the delightfully classic looking Mary Steenburgen as Clara Clayton. Thomas F. Wilson returns for villain duties as Tannen, a Western bully villain pulled straight out of many a classic Oater from way back in the day, and Lea Thompson & Elisabeth Shue ensure the “past” is not forgotten.

When Robert Zemeckis and Bob Gale started making Back To The Future in 1985, could they have envisaged that they would make three films and end up with a steam engine time machine in the Wild West? Possibly not, but as part 3 hurtles (literally) towards the suspense laden finale, two things are for certain. One is that they wisely closed the series down with a surefire coda winner. Two is that between them they crafted one of the most entertaining family trilogies to have ever graced the screen. No doubt about the fact that part one is the uniformly class act of the three, but parts two & three themselves reward groups of all ages. Great Scot indeed. 8.5/10

As with Part II, I’ve come to appreciate this one more, a great blend of sci-fi and western and features once more some fine performances from both Fox and Lloyd, who each do great work portraying different characters (or at least for Lloyd a different time version of Doc Brown). Beyond that, well done set and costume designs and a good enough story to conclude the trilogy. **3.75/5**

Back to the Old West … Back to the Roots … Back to the Future …
And here comes the conclusion of one of the finest and most likable cinematic trilogies: “Back to the Future Part III”, more than a sequel, a resourcing in the spirit that made the first film such an endearing classic, with an even more escapist value in the setting, the Far West during the 1880’s. As a Sci-Fi Family Romantic Comedy, “Back to the Future Part III” is already a winner, but the Western is the defining aspect of its originality.

“Back to the Future Part III” was directly made after the second, basically recycling the same material, and using the same team, the same casting etc. The continuity between the two films is so determining that there’s no way watching the second without getting immediately to the third, it’s like keeping in touch with the same family. Indeed, as much as I can watch the first one alone, because it’s a class on its own and a film I consider slightly independent from the two sequels, on the other hand, I consider the sequels too connected to each other not to be seen in a row. This continuity helps to appreciate the second part that feels more like a link between the two other films while “Part III” resurrects the spirit of the first one by focusing on the emotionality rather than the eternal “back to the future” mission.

This has always been Marty’s preoccupation and the thrust of the trilogy but the travels also had the merit to solve some familial issues and help a beloved character to improve something in his life, if anything, the trilogy defines the notion of ‘coming-of-age’ as the inspirational aspect of the film, its encouragement for success through self-improvement. But since people were facing less materialistic issues than during the 80’s, I guess there was a need to take some distance from these so-called philosophies of successes and a huge step back one century earlier when the 80’s followed the Secession War and preceded the Industrial Revolution that would lead to demise of the frontier spirit. The Far West is less a setting or an era, than a state of mind, embodying the roots of the American spirit in its purest form, before greed and profit perverted its meaning. The Far West setting perfectly fitted the tormenting desire of Doc Emmett Brown for retirement and a tacit existential quest for love.

Consequently, while the central character of the first film was George McFly and the second part focused on the McFly Family, Gale and Zemeckis took the last film as a great opportunity to enrich the character of Doc Brown and close his story’s arc through a love story in order to replace the “mad scientist” label by a necessary element of three-dimensionality. On the surface, Marty’s mission is to prevent Brown from being killed by the villain who –for our greatest delight- is Biff’s ancestor, Buford “Mad Dog” Tannen, but while Marty and Doc try to find a solution to push the DeLorean to 88 mph, destiny puts them in Clara’s path. So Doc meets Clara Clayton (Mary Steenburgen), a teacher whose fate was to fall in the Shonash ravine canyon and give it a posthumous name.

At that point of the trilogy, we’re all aware of the time travels’ mechanisms, we can even be surprised by Marty’s incapability “to reason fourth-dimensionally”, who he traveled so much. But here, the film invites us to put all the scientific stuff into perspective and think of the real elements that predefine our fates. There’s a strong philosophical material hidden behind the love story as the film concludes its approach on time travels with the idea that nothing is written except by our free will and our capacity not to let external elements direct our lives. But I may make the film sound too intellectual when it’s also a great comedy and one hell of a western.

The film is the opportunity to rediscover and say goodbye to the wonderful characters of Hill Valley, to see the first McFlys in American land, to witness the inauguration of the clock tower which, as Doc said, was fitting that he and Marty could witness, not to mention Marty pretending to be named Clint Eastwood, at the risk of tarnishing this name by becoming the biggest yellow belly in the Old West. And the delight on the comedic level is in the way the humor works on a meta-referential level as if the film was breaking an imperceptible fourth wall, playing on its own trademarks. I can’t resist to the scene where Marty, realizing that he might be killed instead of Doc utters a “Great Scott” followed by Doc’s comment “I know this is heavy”, when Marty wonders why they always have to “cut these things so damn close” or when, in the most dramatic situations, he reacts by an ironic ‘perfect’.

And speaking of dramatic, the film also provides great thrilling moments you’d expect from a Western, and probably the most heart-pounding climax from the trilogy with the train sequence, so suspenseful, I remember I had to pause for seconds the first time I watched it. This was one of the few times, I needed to take a break because it was just too suspenseful, but what a fitting and rewarding conclusion. Action, escapism, duels, stage, rides, Indians, cavalry, “Back to the Future Part III” is also an independent homage to the Western genre with some exhilarating moments, served by Alan Silvestri’s terrific score, probably his best work in the trilogy.

And this is why I consider “Back to the Future” as the greatest trilogy after “The Godfather” with a slight advantage that remains the consistency in terms of spirit, thrills, laughs and emotional value. So thank you Robert Zemeckis, Bob Gale, Michael J. Fox, Christopher Lloyd and all the team for these three unforgettable classics!

Just as incredible as the first two, Back To The Future III provides two hours of great fun.
Doc Brown and Marty McFly are back for another time travel adventure, and once again their exploits are great to watch. The film is well-written and directed, and all of the actors involved delivered spectacular performances once again. There could not have been a sharper contrast between the last Back To The Future and this one (we go from the neon colored future of flying cars and 3D movies to the old dirty west with its overflowing spittoons and gunfighting), yet the story holds together strongly and keeps the attention of the audience from start to finish.

The old west was portrayed beautifully, although maybe a bit crudely and stereotypically, and the way that the town of Hill Valley was transformed for all three films is one of the biggest highlights of the series as a whole. In Back To The Future III, the challenges that face Doc and Marty are ingenius, and a solution to their problems is extremely difficult to think of, which makes it that much more fun to watch the film.

Back To The Future III is an excellent way to have ended the trilogy, which as a whole is among the best trilogies ever made. What other group of movies follows the same characters through their adventures which take place in three different centuries? Clearly, Back To The Future III deserves a lot of respect, as do the previous two films. They are all a huge amount of fun to watch, and the films can be enjoyed by people of all ages, which is a quality that few films possess.If you haven’t seen these films, go out and get them, and if you have seen them, you may want to go out and watch them again.

Other Information:

Original Language en
Runtime 1 hr 58 min (118 min)
Budget 40000000
Revenue 244527583
Status Released
Rated PG
Genre Adventure, Comedy, Sci-Fi
Director Robert Zemeckis
Writer Robert Zemeckis, Bob Gale
Actors Michael J. Fox, Christopher Lloyd, Mary Steenburgen
Country United States
Awards 5 wins & 11 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby (RCA Sound Recording)
Aspect Ratio 1.37 : 1 (negative ratio), 1.85 : 1 (theatrical ratio)
Camera Arriflex 35 III, Panavision Primo and Ultra Speed MKII Lenses, Panavision Panaflex Gold, Panavision Primo and Ultra Speed MKII Lenses, Panavision Panaflex Platinum, Panavision Primo and Ultra Speed MKII Lenses, VistaVision VistaFlex, Nikon Lenses, VistaVision VistaGlide, Nikon Lenses
Laboratory DeLuxe, Hollywood (CA), USA (color)
Film Length 3,240 m (Sweden, cut version), 3,250 m (Sweden, uncut version)
Negative Format 35 mm (also horizontal)
Cinematographic Process Digital Intermediate (4K) (2020 remaster), Dolby Vision, VistaVision (special effects), Spherical
Printed Film Format 16 mm, D-Cinema (2015 re-release), 35 mm, 70 mm (blow-up)