All Dogs Go to Heaven 1989 123movies

Watch: All Dogs Go to Heaven 1989 123movies, Full Movie Online – Charlie B. Barkin (Burt Reynolds), a rascally German Shepherd with a shady past, breaks out of the New Orleans Dog Pound with the help of his faithful friend Itchy (Dom De Luise), a nervously hyperactive dachshund. He then makes tracks to reunite with his gambling casino partner Carface Malone (Vic Tayback), a shifty pitbull who has planned a dastardly, and potentially deadly, double cross. Suddenly, Charlie finds himself at the Pearly Gates, face to face with the Heavenly Whippet (Melba Moore). Charlie weasels his way back to earth and reunites with Itchy. He plots his revenge against Carface and, along the way, acquires help from a little girl named Anne-Marie (who can talk to animals). After a series of fiendish schemes, close scrapes and unexpected adventures, both Charlie and Anne Marie find their lives at stake. Only one can be saved and the outcome is in Charlie’s paws….
Plot: When a casino-owning dog named Charlie is murdered by his rival Carface, he finds himself in Heaven basically by default since all dogs go to heaven. However, since he wants to get back at his killer, he cons his way back to the living with the warning that doing that damns him to Hell. Once back, he teams with his old partner, Itchy, to prep his retaliation. He also stumbles onto an orphan girl who can talk to the animals, thus allowing him to get the inside info on the races to ensure his wins to finance his plans. However, all the while, he is still haunted by nightmares of what’s waiting for him on the other side unless he can prove that he is worthy of Heaven again.
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Ratings:

	6.7/10 Votes: 42,414
	44% | RottenTomatoes
	50/100 | MetaCritic
	N/A Votes: 862 Popularity: 21.71 | TMDB

Reviews:

It was quite weird
This movie was really a mixed bag for me and I guess it wasn’t quite as good as I thought. I will always give it credit for being better than most of Don Bluth’s later work. First, let’s look at the positives. The animation is as good as any other Don Bluth film. Second, the voices are great and this is probably Dom DeLuise at his most entertaining voice. Third, this movie really does seem to tackle some interesting topics. I simply love the scenes where Charlie’s in Heaven and we get to see this great place in all its detail. It really does have an interesting spiritual tone to it.

There seem to be few movies about going to Heaven. Unfortunately, there were a lot of awkward parts. There were simply too many songs and a lot of them weren’t that good. It’s really weird with how scenes of the well, big lipped alligator, although I guess he does technically have relevance to the plot as he appears more at the end. I was disappointed that they didn’t show Heaven more. The dog angel was probably the most entertaining character in the film and I really did want to see more of that world. I guess this was just an okay film from Don Bluth, but I encourage people to watch it and get their own opinion. **1/2

Bizarrely Cluttered albeit Upbeat Dogflick
Ever had a feature film where you really don’t know how to feel about it? You don’t hate it by any means, but you also don’t really love it all that much either? For me, it’s Don Bluth’s All Dogs go to Heaven. Noted to be the first Don Bluth feature made after his brief stint with Steven Spielberg (which got him to beat Disney at their own game), the film was practically slaughtered on its original release by The Little Mermaid, although it did gain a massive cult following on home video. In spite of that however, many critics of Bluth’s work have stated this marked the beginning of his dark period, and even I can see why.

The film tells the story of Charlie B. Barkin, a casino gambling German Shepherd who gets murdered by his former partner, Carface Carruthers, but leaves Heaven to go to Earth with a rewindable watch. On Earth, he and his best friend, Itchy Itchiford, get back at Carface by using a young orphan girl named Anne-Marie, who teaches them an important lesson about kindness, friendship and love. What sounds convoluted plot-wise is even more muddled in the execution, as the film goes from an inner world in New Orleans with dogs who plot and scheme one-another to then having this orphan child come in out of left field. Throughout the feature, the initial goal of Charlie getting back at his foe feels almost sidelined to focus more on Anne-Marie, as if the filmmakers couldn’t make up their minds on how to drive the narrative forward. What’s even more frustrating is that both archs work well on their own: the revenge angle presents some fun concepts in this world where dogs coincide on their own and Anne-Marie’s presence helps provide the feature with a good amount of heart and emotions. It’s just unfortunate that the jumbled tone on deciding whether it wants to be serious or light hearted got in the way of a cohesive story.

Now in terms of characters, Charlie himself comes off more unlikable than the film may have intended. Even when he learns about the meaning of kindness, his actions towards Anne-Marie feel undeserved and rather petty. Yes he’s meant to be the wise cracking con artist with a heart of gold, but there are times when his bitterness to others is more mean spirited than necessary. Meanwhile, Itchy is a charming albeit neurotic comedic relief, Carface and Killer are the generic smart and dumb villain types, and anyone else. If any credit must be given to the voice actors, Burt Reynolds and Dom DeLuise make a great duo as Charlie and Itchy, as their improvisational banter and sardonic remarks are more entertainmenting than most of what goes on in the feature. Also, in spite of this being the last film for child actress Judith Barsi, the sincerity she gave in her performance as Anne-Marie feels like that of a genuinely innocent child who understands right and wrong and wants someone who will love and care for her. I guess for every mangy trait, these characters do have some good in them after all.

Of course, being a Don Bluth film, you’re going to have gorgeous visuals, although here it comes with a mixed bag. On one hand, it’s cool to have the dogs look and act in a more exaggerated and cartoony manner than the more realistic humans presented, but at times the animals look so exaggerated to the point of looking unappealing and they can’t decide whether they want to walk on all fours or be anthropomorphic. Alternatively, the backgrounds are rich in detail, color and atmosphere, whether they be the gorgeous Louisiana landscapes, the surreal dreamlike heaven and hell, or even the abstract multicolor environments with strange creatures (like one such alligator). Also, there are some really bizarre edits in this film, as in you’ll get a key shot of a sequence and then it will go away to another shot that will last less than five seconds (seriously, blink and you’ll miss some stuff). Lastly, the musical numbers are what I like to call entertaining show stoppers, because as upbeat and catchy as they can be, most of them stop the story dead in its tracks and could have been cut out altogether.

So in the end, All Dogs remains a well intentioned albeit disjointed and somewhat jumbled hodgepodge with a mix of positives and negatives. For every intriguing and freshly new concept, luscious animation, likable character and fun filled song, there’s a competing sub plot, bad archetype, questionable filmmaking choice and weak execution that makes the experience feel all over the place. I do recommend this film to a family audience and especially Don Bluth fans, because as scattered as the film feels in its presence, it does offer at least some stuff for people to get acquainted with, whether unintentionally or not.

Other Information:

Original Language en
Runtime 1 hr 24 min (84 min)
Budget 13800000
Revenue 27100027
Status Released
Rated G
Genre Animation, Adventure, Comedy
Director Don Bluth, Gary Goldman, Dan Kuenster
Writer Don Bluth, Ken Cromar, Gary Goldman
Actors Dom DeLuise, Burt Reynolds, Loni Anderson
Country Ireland, United Kingdom, United States
Awards 1 nomination
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Stereo, Dolby SR (1994 Re-Release)
Aspect Ratio 1.37 : 1
Camera N/A
Laboratory Technicolor, London, UK (color)
Film Length N/A
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm