Watch: The King 2019 123movies, Full Movie Online – Hal (Timothée Chalamet), wayward prince and reluctant heir to the English throne, has turned his back on royal life and is living among the people. But when his tyrannical father dies, Hal is crowned King Henry V and is forced to embrace the life he had previously tried to escape. Now the young king must navigate the palace politics, chaos and war his father left behind, and the emotional strings of his past life – including his relationship with his closest friend and mentor, the aging alcoholic knight, John Falstaff (Joel Edgerton)..
Plot: England, 15th century. Hal, a capricious prince who lives among the populace far from court, is forced by circumstances to reluctantly accept the throne and become Henry V.
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7.3/10 Votes: 129,954 | |
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62/100 | MetaCritic | |
N/A Votes: 2693 Popularity: 22.153 | TMDB |
Just finished The King, a modern interpretation of parts of Shakespeare’s Henry IV and Henry V, seemingly targeted at millennials.It’s common knowledge that much of Shakespeare’s Henry V is based on hearsay, yet his pre-battle speeches at Barfleur (‘Once more unto the breach, dear friends, once more.’) and Agincourt (‘We band of brothers’) have become the stuff of legend and remain the most stirring battle speeches of our time. In The King, Henry’s pre-battle speech at Agincourt is neither stirring or inspirational due to being a watered-down, 21st-century, politically correct rendition, which I found hard to stomach.
The King portrays Henry (Hal) as a pacifist and reluctant leader, a fop to Catherine of Valois and I found Timothee Chalomet’s (an American) performance as Hal to be too 21st century and not in the slightest bit convincing. In fact, he seemed reluctant to carry out any of the deeds that the real Henry V actually carried out.
The battle scenes were very realistic and the cinematography was superb, but…
This is yet another nod to the PC millennials, diluting and revising both Shakespeare and history into easily digestible snack bites for the sensitive of our era.
It’s a fine half-adaptation, but suffers from the compromise it makes.On the one hand, it is not simply another adaptation of Shakespeare – it has the advantages of taking a fresh look at the material, but for whatever reason still somehow carried across much of the fictional elements of Shakespeare’s plays. At the same time, whilst the writing is good, it lacks the poetry of a more straight adaptation (e.g. the Hollow Crown).
I do find the performances to be compelling, and in particular, find it interesting to see Henry V as a contemplative humanist rather than a victorious warlord. It’s an interesting idea (if perhaps ahistoric) and does perhaps act as a medication on more modern conflicts.
In particular, the film diverges significantly from Shakespeare’s plot significantly towards the end. It seems to try to this to change to modify the original 16th century propaganda of the play to a discussion of Realpolitik. This is a good idea in principle, but is somewhat undercut from having just watched an hour glorifying Henry.
It is also technically impressive – both the art and cinematography departments have outdone themselves – standards we have perhaps come to expect from Netflix productions.
On the whole, I admire the attempt to give a fresh take on the source material, but would rather they took inspiration from the history, rather than from a play written centuries after.
Great movie but slow at times
I’m grateful that Netflix are pumping money into films like this and is a great sign of things to come.This movie has some great acting, a superb script and some great sets and costumes. This all adds to the authenticity of this 15th century English period piece. I do have a few problems with the film like some of the 15th century language can be hard to follow and I don’t think this film will be as good on Netflix as it was when I just saw it at the Venice film festival.
Despite my issues with the film, I think it’s great and would recommend it to any film lovers.
special
Obvious, it is a special film. For different motifs, from the performances, suggesting a new generation of actors ready to propose great roles to the realism of fight scenes, from the politic and the grew up of a young prince becoming an admirable king to the expected John Falstaff. In meny senses, the film of Timothee Chalamet . And one of splendid works from Neflix. So, just a great film, a wise storytelling, beautiful performances, fair atmosphere and something escaping to definitions. A film about power, maybe out of expected Shakespeare but profound inspired portrait of the battle of Azincourt. So, just special, in all of senses, at each level.
Original Language en
Runtime 2 hr 20 min (140 min)
Budget 0
Revenue 0
Status Released
Rated R
Genre Biography, Drama, History
Director David Michôd
Writer David Michôd, Joel Edgerton
Actors Tom Glynn-Carney, Gábor Czap, Tom Fisher
Country United Kingdom, Hungary, United States, Australia
Awards 12 wins & 28 nominations
Production Company N/A
Website N/A
Sound Mix Dolby Atmos, Dolby Digital
Aspect Ratio 2.39 : 1
Camera ARRI Rental ALEXA 65, Panavision Ultra Panatar Lenses
Laboratory Company 3 (digital intermediate)
Film Length N/A
Negative Format Codex
Cinematographic Process ARRIRAW (6.5K) (source format), Digital Intermediate (4K) (master format), Panavision (anamorphic) (source format)
Printed Film Format D-Cinema, Video (Ultra HD)