Lollipop Monster 2011 123movies

Watch: Lollipop Monster 2011 123movies, Full Movie Online – Ari and Oona. Two 15-year-old girls, two dysfunctional families. Absolute opposites, yet somehow similar. No one listens, no one hears. Ari feels misunderstood and compensates for this by having sex with unknown men; Oona expresses the pain over her beloved father’s suicide through self-mutilation and morbid drawings. Opposites attract. Ari is a blonde who paints herself up like a canary; Oona loves things as black as night. Their unlikely friendship helps them survive their families’ hypocrisy. Ari finally gains some kind of self-respect, and Oona learns to give vent to her pain. Then something happens that threatens their friendship at its very roots…. The scope of the debuting director’s creative interests is evident both in the mix of cinematic devices that enrich the narration (animated passages, amateur film recordings, music videos), as well as in the artistic stylization, which directly references her grounding in comics..
Plot: Ari and Oona go to the same school. Lolita-like Ari, is blonde, pouting and lives in a world of bright colours, frustrated by her mother still treating her as a child, while arty Oona dresses in black and is treated as an adult by her artist father. When Oona’s father commits suicide after his wife has an affair with his brother Lukas, Oona starts to self-harm, but finds and unlikely friendship with Ari. Ari’s enthusiasm for exerting her sexuality rebounds when she starts an affair with Oona’s uncle, who has recently moved in with Oona’s mother.
Smart Tags: #friendship #suicide #female_female_relationship #f_rated #sexual_promiscuity #mutilation #burial #murder #sex_in_a_car #female_friend #loss_of_virginity #loss_of_father #makeup #candle #cigarette_smoking #family_relationships #sex_scene #suicide_by_hanging #friend #written_by_director #painting

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Ratings:

	6.5/10 Votes: 447
	N/A | RottenTomatoes
	N/A | MetaCritic
	N/A Votes: 15 Popularity: 1.796 | TMDB

Reviews:

German Teenage Angst
I watched this on the off chance that it would be a sleazy German comedy!/horror, detailing the deprivations of a frozen phallic popsicle. which probably says it all for my expectations of German cinema!

what I actually got with ‘Lollipop Monster’, however, was a kind of coming of age flick about two teenage girls coming to terms with big death and sexuality issues. and I must admit it was pretty well done on the whole, especially when dealing with Ari’s ‘going goth’, a really fun scene involving a terrible German pop video (one of several – I don’t know if this is typical German pop but I kind of hope so) which is playing on Ari’s TV whilst she paints her bedroom jet black with a roller.

unlike more typical German fayre, this doesn’t overdo things in the explicit sex and violence stakes, but gets it’s points across pretty well anyhow.

I did find the use of animation and ‘experimental’ shots pretty annoying pretty rapidly, though.

overall? suck it and see.

Lolita and Death Take a Holliday
FYI, although IMDb states both girls are “15,” their ages are in fact never mentioned, but it is made clear Oona is older and not in the same grade as Ari, and it’s suggested Oona is a high school senior while Ari is a freshman. Once again IMDb can’t get their facts straight.

Oona is the teenage daughter of two Beatnik artists. Beatnik artists in Germany? The heck you say?

Their life is summed up in one single line, “Mum’s fxxxing your brother in the car.” Yup, mom’s having an affair with Uncle Lukas (?) I couldn’t follow the names here, it was poorly subtitled– and she isn’t making any apologies for it. Oona starts cutting. (herself)

Ari is a dead ringer for Sue Lyon in ‘Lolita,’ this was probably intentional. Her nuclear family of four is pretty perfect except for the fact that her older brother has mental problems of imaginary illnesses.

The contrast in sets is almost laughably overdone. Oona’s art studio apartment looks like Kevin Spacey’s apartment in ‘Se7en’ and Ari’s looks like Pee Wee’s playhouse. I’m not exaggerating.

The two opposites predictably become friends… why? Their eyes both glow like cats’ when they look at each other. Again, not exaggerating. This is the only explanation we get.

One day on the playground all the school kids rush to see a dead man hanging from a tree. Yup, it’s Oona’s father.

Ari rebels against her ordinary life in two ways. One, by painting her room from pink to black while watching a music video ‘Goodbye Barbie’ (on a tube antenna TV). And second by screwing everyone in sight.

She starts with the school lecher whom tries to pick up school girls on their way to school. So this is the key to picking up hot blondes? Stalk school playgrounds? When I tried it all I got was a restraining order.

Ari even does her brother’s black American girlfriend, and then predictably Uncle Lukas.

The film ends with Ari inviting Lukas over for sex at her house only so Oona can beat him to death with a fireplace poker. The girls make no attempt to hide their murder. Their parents just find the body in the living room and casually cover it all up without a spoken word. Presumably they don’t want their daughter to go to jail and presumably Ari and Oona just automatically know this.

In conclusion, I watched very carefully for any sign of a lollypop and never saw a single one. The film is pretty predictable and boring. The murder is just tacked on to the last 5 minutes of the film for something to happen. There are no scenes of the girls plotting the murder or even talking about how much they hate Lukas.

Three stars for Ari’s sex appeal. That’s the only entertainment value this film has.

Other Information:

Original Language de
Runtime 1 hr 30 min (90 min)
Budget 0
Revenue 0
Status Released
Rated N/A
Genre Drama
Director Ziska Riemann
Writer Ziska Riemann, Luci Van Org
Actors Jella Haase, Sarah Horvath, Nicolette Krebitz
Country Germany
Awards 5 wins & 3 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby
Aspect Ratio 1.85 : 1
Camera Arriflex 435, Moviecam Camera, Red One Camera
Laboratory N/A
Film Length N/A
Negative Format 35 mm, Redcode RAW, Super 16
Cinematographic Process N/A
Printed Film Format 35 mm