Mutiny on the Bounty 1935 123movies

Watch: Mutiny on the Bounty 1935 123movies, Full Movie Online – Midshipman Roger Byam joins Captain Bligh and Fletcher Christian aboard HMS Bounty for a voyage to Tahiti. Bligh proves to be a brutal tyrant and, after six pleasant months on Tahiti, Christian leads the crew to mutiny on the homeward voyage. Even though Byam takes no part in the mutiny, he must defend himself against charges that he supported Christian..
Plot: Fletcher Christian successfully leads a revolt against the ruthless Captain Bligh on the HMS Bounty. However, Bligh returns one year later, hell bent on avenging his captors.
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Ratings:

	7.7/10 Votes: 23,286
	96% | RottenTomatoes
	87/100 | MetaCritic
	N/A Votes: 255 Popularity: 7.777 | TMDB

Reviews:

A really outstanding adaptation of this story of the tyrannical behaviour of a Royal Navy Captain (Charles Laughton) who was charged with sailing round the world to procure breadfruit trees as cheap fodder for slaves in the Caribbean and in so doing brutalises his crew to the point of mutiny lead by his lieutenant (a very dashing Clark Gable). I found Franchot Tone a rather good looking but wooden “Byam” and Gable’s accent is probably best to be glossed over but the production standards are proof positive of what could be done without computer animation. There is a rousing score from Herbert Stothard and a great supporting cast of professionals giving this story added depth and lots of style.

When you’re back in England with the fleet again, you’ll hear the hue and cry against me. From now on they’ll spell mutiny with my name.

A tyrannical ships captain takes his reluctant crew on a two-year voyage that will change British maritime law forever…

Directed by Frank Lloyd and starring Charles Laughton, Clark Gable and Franchot Tone, this 1935 version of the often filmed tale of the “Mutiny on the Bounty” (book by Charles Nordhoff and James Norman Hall) is the template by which other adaptations would come to be judged.

We are in safe hands from the off due to the casting of Laughton as the strutting evil peacock that is Captain Bligh, and Gable as Fletcher Christian, the handsome hero who decides enough of tyranny and raises a sailor army to usurp the tyrannical Bligh. The pic positively thrives on the characterisations, instead of giving over to fanciful sea faring shenanigans, it’s more concerned with the principal players and the conflicts that said characters partake in.

Based upon an actual real life instance, there’s a realism factor on show as the sailors of The Bounty deal with the harsh realities of sea voyage in the 1700’s, this before their captain thinks nothing of flogging an already dead shipmate!. We witness the best and worst of men at sea, this be a time where loyalty and harsh discipline were in turn expected and meted out as a course of nature.

It’s a tragic tale, though it’s a little let down in the mid-section when the ship gets to Tahiti and it’s all jolification and frivolity, which belies the harsh nature of the core beast. Yet once Laughton and Gable square up against each other, we are in the presence of greatness, mortal enemies are born and they take us to a finale that asks us the audience if it is indeed justified? 9/10

“Music at sea”
By 1935 the worst years of the depression were over, the pitfalls of the early talkies had been overcome, and Hollywood was starting to regain its confidence. For the first time in several years pictures were being made as big and bold as they had been in the late silent era. And like the flagship of this new era comes this highly fictionalised account of the Bounty mutineers.

Although this is very much a Hollywood production, it may seem a little strange to see that all-American lead idol Clark Gable playing an Englishman. This being the days before such things really mattered, and Gable not really being one to shift his persona too much, he makes no attempt whatsoever at an English accent. And yet he fits in very well. Gable always carried with him a touch of the theatre where he cut his teeth, and proves himself a powerful counterpoint to the blustering Charles Laughton. With his barrel chest, wavy hair and easygoing swagger he does have the makings of a swashbuckling hero, and this is the role Fletcher Christian takes in this adventuresome adaptation. Gable is, in a way, Hollywood’s ambassador in the story – just about convincing as an 18th century naval officer, but familiar enough to give US audiences a lead into the movie.

Opposite Gable is a mix of American faces and the British actors who had started to migrate stateside. Charles Laughton’s performance as Captain Bligh is integral to the movie. You realise here that Laughton was rather a short man, and he plays on this, making Bligh a jumped-up, Napoleon-complexed bully; all sharp, jabbing motions, an arrogant stance and a face like a dead fish. Alongside Gable and Laughton, the third Best Actor nominee was Franchot Tone, although he is not really exceptional, merely worthy. There is a typically strong turn from Donald Crisp, and Eddie Quillan is surprisingly decent if a little overwrought. The only wrong note is perhaps Herbert Mundin, or at least his character. The bumbling little comedy performer was always good to see in Errol Flynn adventures and the like but he is wrong for this more serious affair. Note how he seems to disappear from the story when the mutiny takes place, which is fair enough – one couldn’t really imagine that sweet little chap joining the mutineers or cast adrift and dying by inches.

The director is one of the masters of old Hollywood, multiple Oscar-winner Frank Lloyd. Lloyd’s smooth, confident set-ups bring a tense, fractious feel to life on board ship, while never using too much obvious technique as to make it seem artificial. A lot of shots, such as the early one of Gable leading the press gang, show men facing each other in profile, aggressive, combative. In almost every shot we are made to feel the motion of the ship, and even below decks we have the swinging of hammocks. By contrast the scenes on dry land are palpably solid, emphasising the change to a more peaceful life on Tahiti. Lloyd is also one for composing tableaux that are memorable and iconic. There’s an odd-looking but very effective shot shortly before the flogging scene, with punishment-doler Morrison staring coldly ahead on the left-hand edge of the frame, that has seared itself into my memory.

And ultimately it is just such a grand, iconic feel that characterises Mutiny on the Bounty. The Herbert Stothart score is a bombastic medley of nautical themes and emotional underscoring. The forceful, rhythmic editing of Margaret Booth provides us with some striking montages. And of course there is the fact that nothing is faked. Full-size replica ships were built and location filming was carried out in Polynesia, with none of the ugly back projection shooting that mars many pictures before and after. Such a mighty production demonstrates why you need such larger-than-life stars as Gable and Laughton. Here is a movie that does everything it can to announce that big Hollywood is back in all its glory.

The Grandest Sea Saga of Them All
At that most prestigious of all film studios, MGM, they produced the greatest and grandest sea saga of them all. In 1935 it was considered quite daring to have an over two hour film. But Mutiny on the Bounty holds your interest through out.

All three leads Clark Gable, Charles Laughton, and Franchot Tone were nominated for Best Actor that year and they managed to cancel each other out. Victor McLaglen took home the statue for The Informer with the fifth nominee being Paul Muni for Black Fury.

Clark Gable wisely did not attempt a British accent and yet there was no criticism of his performance as Fletcher Christian. Christian was first mate of the HMS Bounty and a man of conscience. It tears him up inside to see the sadism and cruelty of Captain Bligh on this voyage. The men aren’t king and country volunteers as he tells the captain. But the captain has his own ideas.

Normally Charles Laughton played a whole lot of twisted and/or tortured souls for the screen. His Captain Bligh is a man with a deep inferiority complex. The key to him is in the dinner scene on board the Bounty. Watching him, you can see the envy and jealousy he has of the confident and self assured Gable, the callow youth Franchot Tone brimming with idealism and even the surgeon Dudley Digges who despite his drunkeness and crudity is a professional man with some education. It’s so much like James Cagney’s captain in Mister Roberts and worse because at that time the British Navy gave him the authority of God on that ship.

The conflict between Gable and Laughton is obviously the main plot of the film. Yet there is a subplot that’s rarely talked about, the conflict between Gable and Franchot Tone. Tone who was also American, but was stage trained and could fit into a British setting easily, plays Roger Byam one of the young midshipmen on board and who Gable befriends. The key to his character is right at the beginning of the film when he’s being sent off to sea by Henry Stephenson playing Sir Joseph Banks. Seven generations of Byam’s family have been part of the glorious naval tradition of Great Britain and none have failed in their duty. That should be uppermost in your mind.

Gable and Tone have different ideas of duty and it tests their friendship. Each chooses a different path, yet Tone ends up defending Gable against Laughton. Franchot Tone’s finest screen moment for me has always been at his court martial where he makes a stirring speech in defense of the rights of the ordinary British seaman.

As always though the mark of a really great film is the impact those small character roles leave. The men on the Bounty include Donald Crisp, Stanley Fields, Eddie Quillan, Herbert Mundin. My favorite though is Dudley Digges as the ship’s surgeon Mr. Bacchus. At the drop of a shilling he’ll tell you how he’s lost his leg. Outrageous, humorous, and a kindly man who softens the blows of Laughton’s harsh discipline, had there been the Supporting player categories then, Mr. Digges would have been my choice for 1935 as Best Supporting Actor.

Even in black and white, made in the studio back lot, Mutiny on the Bounty still holds up well today. Despite two subsequent versions of the story, this version has stood the test of time.

Other Information:

Original Language en
Runtime 2 hr 12 min (132 min)
Budget 1950000
Revenue 4460000
Status Released
Rated Passed
Genre Adventure, Biography, Drama
Director Frank Lloyd
Writer Talbot Jennings, Jules Furthman, Carey Wilson
Actors Charles Laughton, Clark Gable, Franchot Tone
Country United States
Awards Won 1 Oscar. 3 wins & 7 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix Mono (Western Electric Sound System)
Aspect Ratio 1.37 : 1
Camera N/A
Laboratory N/A
Film Length (13 reels)
Negative Format 35 mm (Eastman Super-X 1227)
Cinematographic Process Spherical
Printed Film Format 35 mm (Eastman 1301)