Watch: Tchao Pantin 1983 123movies, Full Movie Online – Lambert, a burned-out case, works the night shift at a gas station, rarely speaking, living alone, drinking. Bensoussan, raised in foster homes, now a small-time pusher for a bar owner named Rashid, comes to the station needing a spark plug for a stolen Moped. He and Lambert connect somehow, and a few days later, they go for a drink. The young man is too cavalier, and when he swipes Rashid’s fancy motorcycle a couple of times, he’s expendable. Lambert decides to avenge the young man and seeks information from Lola, a punk who knew Bensoussan. With surprising perseverance, she pierces Lambert’s shell; he starts to feel again, tells Lola his story, and finds new enthusiasm for life..
Plot: In Paris XVIIIth district, Lambert works the night shift at a gas station, rarely speaking, living alone, drinking. One day comes a half-jewish half-arab small-time crook in dire straits, pushing a Moped. Named Bensoussan, he takes refuge at the station pretending he needs a spark plug. The two men become friends.
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7.3/10 Votes: 2,885 | |
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N/A Votes: 199 Popularity: 5.609 | TMDB |
Great policier!
Sometimes, the “magic” of cinema seems to take hold of us.The two main characters are superb. So is cinematography. Everything is “in the dark, humid, without hope”. Lanky Lola (1.78 m), while providing the inevitable love interest, is quite gelid and stolid, so her beauty (rain scene!, she awakening chez Lambert!) is not overtly “too much”.
Bensoussan is a stupid kid, while Lambert… what a script! This should be required viewing for budding plot writers. He speaks seldomly, bluntly, seemingly without passion, world wearily, like a philosopher who decided to toss the world aside, as “a useless hypothesis”. Gradually we get to know his intentions, which are not clear from the beginning (he’s a master at deception :)!), but make sense afterwards. Unlike many Hollywood commercial thrillers, that try to be witty and only end up being preposterous. Or “revenge” films alla Stallone and Bronson, without any emotion because there’s nothing to “balance” the killing spree.
This is a “cartesian” movie. “Clear and disc tint” ideas. If issued by a “gas station clerk”, well, that’s the master’s disguise!
The Paris we witness is not the postcard’s or Bardot’s: everything is seedy, “the system” is rotten, like the copper Bauer’s synthesis near the end: “There’ll always be another one”.
The ending is fine! Seldomly had I thought: “this should end right here”, and it did.
IMDb reviewers agree on Bruno Nuytten (DP)’s work. Luckily enough, I hadn’t read those reviews, and while watching even the first minutes I said: “what a good ‘atmosphere'”. That’s a good work: noticeable even without “knowing it’s something important”.
Berri doing this shows a hidden potential. Pity he didn’t do more of the genre! Maybe he “needed” all this “sun drenched Southern France” to make one “night” film…
I agree with IMDb reviewers like gregory-joulin about its two-part structure, and with Bob Taylor that probably the first part is the best. But I admit it: I felt more with the second. “Plot holes”? Many. But who won’t remember the “murder by the small filling station” or the way he swiftly avoids Bauer’s questioning. Unassuming, without hesitating, thus lethally. Just like what follows suit…
I liked his “method of interrogation”: breaking the mobster’s motorbike (not the man). And the way he answers to Bauer on why he was’t working: (seeming concerned) “With all that happened, I had to take a few days off”.
(About this film) Lambert would just quip: “Watch it”.
Riding the Express
“Tchao Pantin” is a great movie. Its characters are all down to earth and have real feelings. Lambert, the burn-out alcoholic who works at the gas station befriends Bensoussan, a small-time pusher. The story goes on about their friendship, but breaks off into a new level when Bensoussan is killed. Lambert’s not sure to risk his life and avenge him, but the perseverance of Bensoussan’s latest girlfriend, Lola, convinces him. Even though the movie might run a little slow at times, it nevertheless exceeds in giving off exciting vibes (action and great dialogue). It’s an interesting movie about a somewhat awkward relationship, but it works. It’s the best thing about it. Side note, I’m just a little confused about the title and what it stands for. Anyway, you should really check it out, and you might even see an adaptation of it in a few years.
Original Language fr
Runtime 1 hr 33 min (93 min) (Colombia), 1 hr 40 min (100 min) (USA)
Budget 0
Revenue 0
Status Released
Rated N/A
Genre Crime, Drama
Director Claude Berri
Writer Alain Page, Claude Berri
Actors Coluche, Richard Anconina, Agnès Soral
Country France
Awards 5 wins & 7 nominations
Production Company N/A
Website N/A
Sound Mix Mono
Aspect Ratio 1.85 : 1
Camera N/A
Laboratory Laboratoires Éclair, Paris, France
Film Length N/A
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm