A Clockwork Orange 1971 123movies

Watch: A Clockwork Orange 1971 123movies, Full Movie Online – Protagonist Alex DeLarge is an “ultraviolent” youth in futuristic Britain. As with all luck, his eventually runs out and he’s arrested and convicted of murder. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex’s ordeals are far from over once he hits the streets of Britain…
Plot: In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that’ll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?
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Ratings:

	8.3/10 Votes: 828,547
	88% | RottenTomatoes
	77/100 | MetaCritic
	N/A Votes: 11122 Popularity: 36.767 | TMDB

Reviews:

Some great visuals and direction not to mention an incredible performance from Malcolm McDowell, I wasn’t totally into this, the first half especially was taxing to get through to the point I stopped watching and only finished a couple days later. The rest was good and found myself a bit more engaged however as a whole, this one never grabbed me. **3.5/5**

With this film, a world heritage of cinema, Stanley Kubrick has reached a level of artistic mastery that would make Michelangelo pale in comparison. To make a film an art form, it must have the innovation of a Chaplin or Jean-Luc Godard. Furthermore, for a film to be a masterpiece, it must have music, direction, and great performances by the cast. Nevertheless, this film easily fulfills these requirements, and miraculously, it is a perfect work of art, with outstandingly high quality visual beauty far above the audience. For 136 minutes, one feels as if one has stepped into an exhibition of paintings or photographs that are sigh-inducingly vivid, beautiful, sometimes violent, and sometimes insane. The film’s elaborate camerawork is erotic, but not vulgar, like a sensual film. The clarity of vision, both pictorial and photographic, is unparalleled. Any of the scenes, even the still ones, would make a grade-A photo book. Without a doubt, it is the best film made in the entire world in 1971. It deserves to be the “Pietà” of the film world.

My brief review of the film
A disturbing but yet very beautiful piece of film-making, Kubrick has created the ultimate study of mind manipulation in this film. It is a protest against reform programs that take away freedom of a choice, and the message of the film in terms of paying for one’s sins in all eternity is inescapable, evident to a large extent in the sardonic nature of the tale. Although set in the future, it hardly feels like it is, this being because the message of the film is overwhelmingly powerful and capable of applying to any age. The film has a number of possible hidden meanings to it – a feat equaled on scale only by Kubrick’s former film ‘2001: A Space Odyssey’. Besides for the meaning behind the film, there are still the marks of a masterpiece. Kubrick’s direction is superb alongside the good photography, capturing shadows and angles needed to establish tone. The editing is excellent too, done in a flashy, brainwashing style at times to have relevance to the film. The choice of cast is again inspirational, however the film achieves the most in terms of music. Kubrick manages to use one of the earliest forms of art, classical music, and give it an unforgettable style and importance in the film. It is truly a difficult task to explain what is so great about a film such as ‘A Clockwork Orange’ – it is maybe best explained by watching the film itself.

Kubrick and the Art of Violence.
Stanley Kubrick has a way of telling stories about violence without actually exploiting them, or going into exaggeration. In DR STRANGELOVE, OR HOW I STOPPED WORRYING AND LEARNED TO LOVE THE BOMB violence as war was discussed, overheard, never truly seen until the final reel when a flurry of atomic bombs exploded into bright mushrooms as the song “We’ll Meet Again” lovingly played in the background. In 2001: A SPACE ODYSSEY Hal-9000 terminates an entire crew in a most chilling way and all we see is a computer screen indicating the termination of life. Now, in A CLOCKWORK ORANGE, Kubrick actually brings a story about violence, and even then it is art directed within an inch of its life.

Alex DeLarge is the leader of a band of ‘droogs’ who move from location to location terrorizing their victims, putting them under outrageous acts of violence. When two of his ‘droogs’ refuse to follow Alex’s path of destruction, he turns on them and beats them, until an act of reversal turns against Alex and he is brought down by the medical industry who decides to “reform” his heretofore sociopathic tendencies. One he is cured, an interesting chain of humiliating events that bring Alex even farther down ensue: he is, for example, now attacked by his very ex-mates, now policemen, and his ex-victims. Sometimes the cure is far worse than the illness. Karma is a bitch.

Kubrick has a particular way of visualizing his films. A CLOCKWORK ORANGE has a look and feel completely out of its time, closer to sometime in the future, and its torture sequence in which Alex is regenerated also looks straight out of a science fiction movie. However, this is not a science fiction film. It’s actually quite difficult to categorize CLOCKWORK because it’s something of a social satire, something of a drama, has comedic moments and deconstructs a musical for a horrifying rape sequence; however, its approach to the material gives it the feel of a hybrid out of time, out of place, but visually arresting and impossible to take for granted. It’s this approach that makes the work the product of a master of direction — it can be seen multiple times and every time a different perspective arises, and all one can be left with is with the notion that this is pure, ultra-modern cinema.

Other Information:

Original Language en
Runtime 2 hr 16 min (136 min)
Budget 2200000
Revenue 26589000
Status Released
Rated X
Genre Crime, Sci-Fi
Director Stanley Kubrick
Writer Stanley Kubrick, Anthony Burgess
Actors Malcolm McDowell, Patrick Magee, Michael Bates
Country United Kingdom, United States
Awards Nominated for 4 Oscars. 12 wins & 24 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital (re-issue), Mono
Aspect Ratio 1.66 : 1
Camera Mitchell BNC, Angenieux Lenses, Newman Sinclair Auto Kine, Arriflex 35 IIC, Angenieux and Kinoptik Tegea Lenses
Laboratory Technicolor, Hollywood (CA), USA (prints), Technicolor, London, UK
Film Length 3,754 m (Finland), 3,740 m (Sweden)
Negative Format EASTMAN Colot Negative Film 100T TYPE 5254, 35 mm
Cinematographic Process Digital Intermediate (4K) (2021 remaster), Spherical
Printed Film Format 35 mm