Black Narcissus 1947 123movies

Watch: Black Narcissus 1947 123movies, Full Movie Online – Sister Clodagh, currently posted at the Convent of the Order of the Servants of Mary in Calcutta, has just been appointed the Sister Superior of the St. Faith convent, making her the youngest sister superior in the order. The appointment is despite the reservations of the Reverend Mother who believes Sister Clodagh not ready for such an assignment, especially because of its isolated location. The convent will be a new one located in the mountainside Palace of Mopu in the Himalayas, and is only possible through the donation by General Todo Rai of Mopu – “The Old General” – of the palace, where the Old General’s father formerly kept his concubine. On the Old General’s directive, the convent is to provide schooling to the children and young women, and general dispensary services to all native residents who live in the valley below the palace. Accompanying Sister Clodagh will be four of the other nuns, each chosen for a specific reason: Sister Briony for her strength, Sister Phillipa who is to tend to the garden for food, Sister Blanche – more commonly referred to as Sister Honey – for her general ability to spread happiness, and troubled Sister Ruth, who the Reverend Mother believes will truly find her faith from the change in locale. The palace comes with an elderly female caretaker, slightly off kilter Angu Ayah, and a holy man who meditates in solitude and silence outside the palace grounds night and day, he who is not to be disturbed. The General also provides a young boy, six year old Joseph Anthony, the General’s cook’s son, who will live at the convent to provide translation services. But the sisters’ primary liaison to the General and the outside world is his agent, native Brit Mr. Dean, which may prove to be problematic in his gender and doing any work around the convent. Sister Clodagh faces early challenges in feeling the need to accept two people to the convent: seventeen year old Kanchi, who is pushing the boundaries of her sexuality; and the Old General’s son, the “Young General”, who wants the same educational opportunities, if not better, than that offered to his female counterparts. Beyond these issues, each of the sisters is challenged by this posting, from the cultural differences, to the isolation, to the general openness of their environment. Sister Clodagh, as the leader, feels that she has no one to turn to in her confusion, her thoughts turning back to her time in Ireland before joining the order and her love for a young man named Con that was partly the reason for her decision to devote her life to God. But it is Sister Ruth whose issues may be the most problematic as she is becoming unhinged in her growing romantic obsession with Mr. Dean, especially as jealousy emerges in she also believing that Sister Clodagh is falling in love with him as well, which may or may not be the case..
Plot: A group of Anglican nuns, led by Sister Clodagh, are sent to a mountain in the Himalayas. The climate in the region is hostile and the nuns are housed in an odd old palace. They work to establish a school and a hospital, but slowly their focus shifts. Sister Ruth falls for a government worker, Mr. Dean, and begins to question her vow of celibacy. As Sister Ruth obsesses over Mr. Dean, Sister Clodagh becomes immersed in her own memories of love.
Smart Tags: #himalayan_mountains #sexual_repression #female_protagonist #nun #mountain #mother_superior #convent #color_in_title #fishing #drunkenness #rain #death_of_baby #nunnery #bell_ringing #sexual_hysteria #church_bell #attempted_murder #garden #blood #close_up_of_eyes #nun_as_protagonist

Find Alternative – Black Narcissus 1947, Streaming Links:

123movies | FMmovies | Putlocker | GoMovies | SolarMovie | Soap2day

Ratings:

	7.7/10 Votes: 25,171
	100% | RottenTomatoes
	86/100 | MetaCritic
	N/A Votes: 358 Popularity: 11.976 | TMDB

Reviews:

Right from the start, Jack Cardiff’s magnificent cinematography sets a perfect scene for this superbly directed story of “Sister Clodagh” (Deborah Kerr) who is despatched to a remote corner of northern India to establish a school and hospital in an old, cold and windy, palace. Accompanied by a rather curious collection of nuns – Flora Robson, Jenny Laird, Judith Furse and Kathleen Byron, they must combat the elements and their plentiful demons to make their project function – none of this is aided by the presence of the enigmatic David Farrar who seems to bring out the best and worst in both Kerr and the first-class Byron as “Sister Ruth” who treads a fine line between sanity and an almost demonic despair. The story addresses many of the issues of post-colonial India, of poverty, malnourishment, illiteracy and Christianity – amongst those who believe and those who want to – and tests the faith of each of the women in differing, potent, ways. Look out for a super performance from May Hallatt as the slightly demented caretaker they call “Auntie” who dishes out brutality and sagely wisdom is equal, haphazard, measure. The dialogue is clever – there is humour here amidst the intensity, and the film has a magnetism that generates a genuine feeling of involvement in the lives of these flawed characters. For some, the palace sounds like a Shangri La; for others it is merely a prison with a grand view…

Do you think it’s a good thing to let her feel important?

Black Narcissus is directed by Micheal Powell and Emeric Pressburger, who both adapt the screenplay form Rumer Godden’s novel of the same name. It stars Deborah Kerr, Sabu, Jean Simmons, David Farrar, Flora Robson and Kathleen Byron. Music is scored by Brain Easdale and cinematography by Jack Cardiff.

A group of nuns travel to the Himalayas to set up a school and hospital at the disused Palace of Mopu. Once set up high in the mountains, some of the nuns find themselves seduced by the atmospheric sensuality of the place. Which spells trouble as inner demons start to seep out.

I haven’t got much of a review here for you, it really would be redundant due to the widespread availability of detailed works written about the film over the years. Besides which, I can only really agree with 99% of what has been said about the film before. Is there anything new that can be said? I don’t think so, really I don’t.

Black Narcissus is an experience, a sort of ode to spiritual cinema and a bastion of visual splendour. Some call it a masterpiece, others say it’s just shy of being as such, but either way a vast majority of film lovers agree it’s film making of considerable skill.

Negatively, however small in the grand scheme of things, it’s thin on story and a couple of our lead nun protagonists here are actually too filmy and pretty; I mean I don’t intend to insult the thousands of real nuns in the world, but none are surely as foxy as Kerr and Byron as presented here?! You can kind of tell it’s the meeting of a visualist and a story teller trying to find a common ground, but the visualist (Powell) holds sway for this one and film lovers the world over are all the better for it.

With a spitfire on form cast, matte paintings and Technicolor so beautiful that eye orgasms are guaranteed, and sensual suspense dripping from the roof, Black Narcissus is landmark British film making. Brought to us by two directors whose every plaudit is definitely justified. 9/10

The palace in the mountain
Wind is always blowing throughout the monastery the Servants of God nuns have inherited in a remote part of India. In accepting being in charge of the new place, Sister Clodagh will question her faith as she faces one of the greatest challenges of her life.

Michael Powell, working with his usual collaborator, Emeric Pressburger, on the Rumer Godden’s novel, created a film that stands the test of time. His achievement is even more incredible as he shot this film in an English studio. The film, brilliantly photographed by Jack Cardiff, one of the best men in the business, and a frequent ally of Mr. Powell, is one of the best pictures of the English cinema. The glorious Technicolor still looks great.

“Black Narcissus” questions how some Christians, in this case, nuns of a religious order, can be so blind about things that deviate from what it deems is the right way. When the young General wants to be part of the school the nuns are creating, they reject him, yet, he asks about how would a God, made human in the form of Christ, would respond to his petition.

Sister Clodagh is also put in a spot when she wants to get rid of the old man who day after day sits staring at the distant mountains. It’s Mr. Dean who challenges her in asking how would her God deal with the old man. Sister Clodagh’s past is revealed in flashbacks when she was a young woman and in love with a young man who wanted to emigrate to America and she wasn’t ready to follow him.

Also, Sister Ruth, who is a rebel, decides to abandon the order because she is in love with Mr. Dean. The highlight of the film is the scene in which Ruth begins applying the deep red lipstick, which makes quite a contrast with her beautiful reddish hair to the horror of Sister Clodagh, who clearly is not prepared for the desertion.

There is also an undercurrent between Sister Clodagh and Mr. Dean, who one feels loves her. The nun is too loyal to the principles that made her take the vows. She realizes at the end that while she had the best intentions to transform the place, she is only a human being who suffers a defeat because of her surroundings.

Deborah Kerr enjoyed one of the best triumphs of her career with the role of Sister Clodagh. She is seen as a young woman of great beauty and the austere nun she became later in her life. David Farrar is Mr. Dean, the Englishman who is now living in that remote part of India and knows the people well. Kathleen Byron makes an excellent contribution as the rebel Sister Ruth. Flora Robson plays the kind Sister Philippa. Jean Simmons appears as a cruel Indian girl, and Sabu has some interesting moments in the film.

This is one of Mr. Powell’s best movies in his influential film career. He was one of the most innovative film makers of his generation and it shows well in “Black Narcissus”.

Hypnotic, somewhat hallucinatory epic about survival and the starvation for intimacy…
Group of Anglican nuns are sent to the Himalayans to start a convent/school/hospital in an old palace which used to be a House of Ill Repute. Quickly, the strange locale, the constant winds, and the appearances of a strapping handyman sends two of the sisters to distraction. Gripping drama from Powell and Pressburger has moments of sly humor, incredible beauty. Some of the close-ups (as when Sister Superior Deborah Kerr remembers fox-hunting in her youth, or when Sister Ruth discloses her desires of the flesh) are fascinating, almost surreal, and the finale is a wind-whipping frenzy of emotional overload. A few characters–such as Sabu’s General and Jean Simmons’ young tart–are not expanded upon and simply evaporate, but the film is still a stunner, depicting need and survival with colorful, melodramatic flourish. ***1/2 from ****

Other Information:

Original Language en
Runtime 1 hr 41 min (101 min)
Budget 424000
Revenue 0
Status Released
Rated Not Rated
Genre Drama
Director Michael Powell, Emeric Pressburger
Writer Rumer Godden, Michael Powell, Emeric Pressburger
Actors Deborah Kerr, David Farrar, Flora Robson
Country United Kingdom
Awards Won 2 Oscars. 5 wins & 1 nomination total
Production Company N/A
Website N/A

Technical Information:

Sound Mix Mono (Western Electric Recording)
Aspect Ratio 1.37 : 1
Camera N/A
Laboratory Technicolor, London, UK (color) (as Technicolor)
Film Length 2,787 m (Netherlands)
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm