Split Second 1992 123movies

Watch: Split Second 1992 123movies, Full Movie Online – The year is 2008. Global warming has melted much of the polar ice caps, resulting in serious flooding around the world – including the city of London, which is now under several feet of water. In the ensuing chaos, a new killer has emerged. One that’s unnatural, unrelenting and unstoppable. Maverick veteran policeman Harley Stone (Rutger Hauer) has a link with the killer – it murdered his partner, and he will do whatever it takes to bring down the killer. As a new rookie is assigned to him, Stone must find the killer, rescue his girlfriend, and fight off his own inner demons as he gets closer to his mysterious adversary. But when the killer is a vicious ten foot tall alien creature, even in the future, there aren’t guns big enough to stop the creature’s deadly reign..
Plot: In a flooded future London, Detective Harley Stone (Rutger Hauer) hunts a serial killer who murdered his partner and has haunted him ever since. He soon discovers what he is hunting might not be human.
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Ratings:

	6.0/10 Votes: 15,260
	N/A | RottenTomatoes
	26/100 | MetaCritic
	N/A Votes: 232 Popularity: 10.457 | TMDB

Reviews:

We are not chasing it, it’s chasing us.

Split Second is directed by Tony Maylam and Ian Sharp and written by Gary Scott Thompson. It stars Rutger Hauer, Kim Cattrall and Neil Duncan. It was filmed in London, England, predominantly at the Hartley Jam Factory in Southwark, with Clive Tickner the cinematographer.

London, 2008.

“After forty days and nights of torrential rain, the city is largely submerged below water, a result of the devastating effects of continued global warming. The warnings ignored for decades have now resulted in undreamed of levels of pollution where day has become almost endless night…”

and something is stalking the watery city and tearing hearts out of its victims…

Plot follows a familiar course, and in truth there’s no surprises here. A psychic link between Stone and the killer is sadly never fully formed, which is a shame because it had the potential to make the film more interesting. To offset that though, is that there is some nice babble involving astrological and satanic matters which are thrown up during the search/investigation. In its favour as well, is that Maylam and his team sensibly keep the perpetrator hidden for most of the film, instead choosing the odd flashing glimpse of a clawed hand, or a murky torso running across the frame, while the idea to only show the bloody aftermath of a kill hits home harder than if we had actually viewed it.

The look is spot on for an apocalyptic sci-fi piece, all greys, silvers and low lights, while the cheap production design works well in context of the tone of the picture. There’s even some Schwarzenegger like cheese dialogue, the likes of which the big Austrian would have got paid millions to speak at around the same time Split Second was released. The killer, once revealed, will disappoint many, mainly because it looks overly familiar, but it does impact for the finale set at a flooded tube station. While the music (co-scored by three different people) is ideal as it sounds very tinny, in fact it’s very 1980’s like.

Judging by the critical reaction to it you have to think some folk were taking it a bit too seriously. Never fully convincing as a lead man, Hauer pitches this just right, with tongue in cheek, a grizzled personage and a swagger to match the glint in is eyes. He’s playing a burned out cop character called Harley Stone, his partner, who of course is the polar opposite, is named Dick Durkin! Take this seriously? Never! Cattrall is merely here to be a love interest, to scream and show some flesh for the discerning hound dog, while her haircut, some black dyed German Helmet effort, is totally unflattering. Duncan does a fine job as the nerdy copper, working the comedy off of Hauer very well, while fleeting support comes from great British actors Alun Armstrong and Pete Postlethwaite. In cameos we get song man Ian Dury and Michael J. Pollard.

Leave the brain at the door and you have a good chance of enjoying this low-budget British sci-fier. 7/10

Tonally awkward at times and mismatch of various genres with apocalyptic-future science fiction horror mixed with buddy cop comedy, but for all its flaws, found this to be an absurdly entertaining film thanks to Rutger Hauer’s charmingly gruff performance. Some interesting production design clearly inspired by Blade Runner, especially early on, and the brief moments we see the creature looks like a cross of the xenomorph and Venom. **3.0/5**

Fun movie
Yes, it’s another futuristic doom and gloom type story and yes, the story is a little thin but it’s fun regardless. I don’t know if they meant for it to be a comedy but it’s hilarious. Keep an eye and ear out for the one liners that are randomly tossed around during the course of the movie. You can’t help but feel for the poor police chief. They didn’t give him much to work with but he plays his role great. The way pre “Sex and the City” Kim Cattrall’s acting is pretty bad but for this movie, passable. If you are looking for mindless entertainment and don’t mind profanity, this is your type of movie. There is mild nudity and a lot of ketchup (ie: fake blood) splashed about so you might want to keep the little ones away from this one.

Get yourself some bigger guns and enjoy this early 90s cheese classic.
Rutger Hauer plays one big walking cliche in this amusingly, knowingly routine B flick that does have a sense of humour about itself. Hauer plays a surly, slovenly detective named Harley Stone in London in the “future” year of 2008. Global warming has resulted in the city being partially submerged in water. Stone stalks through this unusual setting in search of the serial killer who slaughtered his partner once upon a time. This particular killer loves to taunt Stone, and has a penchant for EATING the hearts of their victims. What Stone learns is that the psycho might be something other than human.

Excellent urban-Hell production design and moody cinematography are assets of this deliberately drab-looking cop vs. killer programmer with a true grungy aesthetic. Some people may feel that projects like this were way beneath Mr. Hauer, but the truth is that he always remains fun to watch, and he’s clearly having a good time as this tormented protagonist. Kim Cattrall, on first glance, seems under-utilized as his love interest, but then she *does* get to help out during the final assault on our inhuman villain. Hauer has good odd-couple chemistry with Alastair Duncan as the eager-beaver new partner with book smarts regarding serial killers. Duncan is very amusing, and fun to watch himself. The supporting cast includes a couple of familiar faces: Alun Armstrong, American character actor Michael J. Pollard (popping up briefly to do his typical shtick as a rat catcher), Pete Postlethwaite, Ian Dury, and Tony Steedman.

The movie further benefits from its relentless and seemingly impossible-to-kill murderer, as well as a pretty good pace that results in a trim run time of just over an hour and a half. Its dialogue may sometimes be silly, but it’s good that screenwriter Gary Scott Thompson (future creator of the “Fast and the Furious” franchise) and director Tony Maylam (“The Riddle of the Sands”, “The Burning”) refuse to ever take any of this too seriously. Viewers will also love the over the top gore and Stephen Norringtons’ design of the monster (bearing more than a passing resemblance to a Xenomorph from the “Alien” franchise).

A good, mindless way to kill 91 minutes.

Seven out of 10.

Other Information:

Original Language en
Runtime 1 hr 30 min (90 min), 1 hr 36 min (96 min) (extended)
Budget 7000000
Revenue 5430822
Status Released
Rated R
Genre Action, Crime, Horror
Director Tony Maylam
Writer Gary Scott Thompson
Actors Rutger Hauer, Kim Cattrall, Alastair Duncan
Country United Kingdom
Awards N/A
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby (RCA Sound Recording)
Aspect Ratio 1.85 : 1
Camera N/A
Laboratory Metrocolor, London, UK (film processing)
Film Length N/A
Negative Format 35 mm (Kodak)
Cinematographic Process Spherical
Printed Film Format 35 mm