Ay, Carmela! 1990 123movies

Watch: ¡Ay, Carmela! 1990 123movies, Full Movie Online – Paulino and Carmela are husband-and-wife troubadours touring the countryside during the Spanish Civil War. They are Republicans, and with their mute assistant Gustavete they journey into rebel territory by mistake. They are arrested, fear a firing squad, and receive a reprieve from an Italian Fascist commander who loves the theatre. He arranges a performance for his troops, bargaining with Paulino to stage a burlesque of the republic in exchange for the actors’ freedom. Will the fiery and patriotic Carmela consent?.
Plot: Paulino and Carmela are husband and wife, troubadours touring the countryside during the Spanish Civil War. They are Republicans, and with their mute assistant, Gustavete, they journey into rebel territory by mistake. They are arrested, fear a firing squad, and receive a reprieve from an Italian Fascist commander who loves the theatre. He arranges a performance for his troops, bargaining with Paulino to stage a burlesque of the republic in exchange for the actors’ freedom. Will the fiery and patriotic Carmela consent?
Smart Tags: #spanish_civil_war #man_murders_a_woman #murdered_by_gunshot #tragedy #death_of_protagonist #euphemism #1930s #mute #female_topless_nudity #public_nudity #female_nudity #lieutenant #civil_war #spain #based_on_play #character_name_in_title

Find Alternative – ¡Ay, Carmela! 1990, Streaming Links:

123movies | FMmovies | Putlocker | GoMovies | SolarMovie | Soap2day

Ratings:

	7.1/10 Votes: 2,946
	N/A | RottenTomatoes
	N/A | MetaCritic
	N/A Votes: 61 Popularity: 3.815 | TMDB

Reviews:

¡AY, CARMELA! (Carlos Saura, 1990) ***
This acclaimed latter-day Saura effort touches on, or rather weaves together, a number of his lifelong concerns – the performing arts are here placed within the context of the Spanish Civil War. In that respect, it inevitably elicits memories of Ernst Lubitsch’s WWII masterpiece TO BE OR NOT TO BE (1942) – but that film’s blackly comic tones (deemed tasteless at the time) are here largely supplanted by genuinely less salubrious elements, notably grotesquerie and (unsurprisingly) eroticism!

Incidentally, while the script (co-written by Saura and Rafael Azcona in what would prove to be their sixth and final collaboration) does clearly take the side of the “Loyalists” (epitomized by the recurring title song) against the winning “Nationalist” forces in the ongoing conflict, it wisely opts to stress a general anti-war feeling – since, by then, the alternative Communist doctrine was seen to have also reaped an oppressive system (the Berlin Wall had just been torn down when the film was made)! That said, it paints a clichéd picture of Italians (who naturally supported the soon-to-be-established Fascist dictatorship) as lovers of pasta and Neapolitan songs!

The protagonists comprise a small-time variety act, but which is seen to go a long way on the woman’s sensuality (she too is named Carmela and sings one of her numbers draped in the Republican flag!), her partner’s penchant for rhythmic flatulence(!) and the sheer innocence of its third member, a mute boy (who, at one point, attempts to sell to the Italians the troupe’s allegiance to their cause by inscribing “Viva Mulosini” N/A on a tablet he carries around with him and, in another comic sequence, dutifully informs his boss that the delicious meat he is gorging himself on may well be that of a cat as opposed to rabbit!).

A Varietee’ company takes on difficulties , shortages and dangers during Spanish Civil War
This dramatic film with comical elements deals about lives of a group of artists and comics that travel around the country in hard times the Spanish Civil War (1936-1939). Carmela (Carmen Maura), his husband Paulino (Andres Pajares) and their mute helper Gustavete (Gabino Diego) are street performers who entertain the Republican troops after the battle in Aragon , 1938 . The trio of troubadours touring scenarios decides to seek a less dangerous destination . However, the Republican trio by mistake go to the national zone and immediately are arrested by a captain (Jose Sancho) . Suspecting that all of them collaborate with the Republican rebels opposite to the Francoist Regime they are imprisoned by a Lieutenant (Miguel Rellan) and they fear a firing squad , but receive a reprieve from an Italian Fascist commander who loves the theatre . As an Italian Lieutenant named Ripamonte (Maurizio De Razza) arranges a performance for his troops , playing burlesque , bargaining with Paulino to stage a burlesque show in exchange for the actors’ freedom.

This is an interesting story about human beings , three sympathetic troubadours touring the countryside during the Spanish Civil War and how they cope with this unsettling nightmare ; including their pain , poverty but also some mirth and joy . Drama with historical and hilarious elements ; including enjoyable performances and adequate set design by Rafael Palmero. ¨¡Ay Carmela¡¨ results to be other of the innumerable stories to deal with dramatic deeds regarding the Civil War background . A familiar theme about the global horrors of a fratricide war , impossible to forget to our cinema . An agreeable as well as dramatical story plenty of enjoyable moments , moving feelings , wonderful songs , attractive musical score by Alejandro Masso and tragic finale . Above all , the acting is first rate , as Carmen Maura gives a terrific acting as the fiery and patriotic Carmela, along with Andres Pajares who won several national as international prizes . The story describes the penury and sadness of a nation at recent war which itself is expressed through the tortuous mental , emotional processes and final nervous breakdown Carmen Maura goes through . Director Carlos Saura , also writes the interesting script along with prestigious screenwriter Rafael Azcona , Luis Garcia Berlanga’s usual writer . Carlos Saura conveys us the escalating tension before the show in important measure of difficult along with an ironic humor backstage . Filmed in his usual formal and stylistic scholarship , but plenty of marvelously ancient songs , musical numbers and without leaving a trace the thought-provoking issues , in terms of dramatic and narrative excitement . The flick can be defined as a realistic tragedy-drama , a romantic history , a historic/comical fresco and a socio-political fable . This theme about a troupe constantly being dragged back to the reality of war and in an extreme situation continues through the picture . The flick bears remarkable resemblance to subsequently directed by Emilio Aragon titled “Paper Birds” by Emilio Aragon with Imanol Arias , Luis Homar , but the latter failed as box office with indifferent reception by public as critical . Good support cast with prestigious Spanish secondaries as Luis Rellan , Jose Sancho , Maurizio De Razza , and Chema Mazo , among others . Including a spotless pictorial cinematography by Jose Luis Alcaine and a willingness , almost perfect of the elements of each shot , every sequence, every space .

The motion picture was stunningly written and directed by Carlos Saura He is one of the best Spanish movies director . He began working in cinema in 1959 when he filmed ¨Los Golfos ¨(1962) dealing with juvenile delinquency from a sociological point of view . He subsequently made LLanto por Un Bandido (1964) starred by an European all-star-cast . Saura is a well recognized filmmaker both nationally and internationally, and in proof of it he won many prizes among which there are the following ones: Silver Bear in Festival of Berlin for Peppermint Frappé (1967) and the successful La Caza (1966) that also won numerous prizes in International Festivals and in which four characters facing each other and terminating into a jarring burst of violence . Saura achieved Special Jury Awards in Cannes for La Prima Angélica (1974), in 1973, and for Cría Cuervos (1976), in 1975. Also, the film Mamá Cumple Cien Años (1979) got an Oscar nomination in 1979 as the best foreign film, and it also won the Special Jury Award at the San Sebastian Festival. He subsequently made ¨Deprisa , Deprisa¨ based on facts about juvenile delinquency in Spain since the 80s , as he tried to take a position in favour of outcast people and he got to make a both lyric and documentary-style cinema . In 1990, he won two Goya , The Spanish Oscar , as best adapted screenplay writer and best director . Saura became an expert on Iberian musical adaptations as ¨Carmen , Amor Brujo , Bodas De Sangre , Sevillanas , Iberia , Salome , Fado, Flamenco ¨ and even recently Opera as ¨Io , Don Giovanni

Other Information:

Original Language es
Runtime 1 hr 42 min (102 min)
Budget 0
Revenue 2000000
Status Released
Rated PG-13
Genre Comedy, Drama, War
Director Carlos Saura
Writer Rafael Azcona, José Sanchis Sinisterra, Carlos Saura
Actors Carmen Maura, Andrés Pajares, Gabino Diego
Country Spain, Italy
Awards 22 wins & 6 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Stereo (RCA Sound Recording)
Aspect Ratio 1.66 : 1
Camera N/A
Laboratory Fotofilm S.A., Madrid, Spain
Film Length N/A
Negative Format 35 mm (Kodak)
Cinematographic Process Spherical
Printed Film Format 35 mm