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Battle of the Bulge 1965 123movies

Battle of the Bulge 1965 123movies

Warner Bros.' super action show of shows!Dec. 16, 1965167 Min.
Your rating: 0
7 1 vote

Synopsis

Watch: Battle of the Bulge 1965 123movies, Full Movie Online – In the winter of 1944, the Allied Armies stand ready to invade Germany at the coming of a New Year. To prevent this occurrence, Hitler orders an all out offensive to re-take French territory and capture the major port city of Antwerp. “The Battle of the Bulge” shows this conflict from the perspective of an American intelligence officer as well as from a German Panzer Commander..
Plot: In the winter of 1944, the Allied Armies stand ready to invade Germany at the coming of a New Year. To prevent it, Hitler orders an all-out offensive to re-take French territory and capture the major port city of Antwerp.
Smart Tags: #wehrmacht #battle_of_the_bulge #world_war_two_in_belgium #year_1944 #cold_weather #world_war_two #nazi_soldier #firearm #world_war_two_soldier #weapon #tank_warfare #nazi_uniform #american_abroad #dying_young #tank_troops #world_war_two_in_europe #timeframe_1940s #epic_war #overture #army_colonel #aerial_surveillance


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Ratings:

6.8/10 Votes: 16,760
63% | RottenTomatoes
N/A | MetaCritic
N/A Votes: 204 Popularity: 11.898 | TMDB

Reviews:


***Nazi Germany’s last gasp***

“Battle of the Bulge” (1965) depicts the last major German offensive on the Western Front from December 16 – January 25, 1944-1945. The action takes place at the intersection of Belgium, Germany, France and Luxembourg. American forces were thoroughly surprised by the German attack on the morning of December 16th and took the highest casualties of any operation during WW2.

There are glaring inaccuracies, most notably the absence of Tiger and Sherman tanks, substituted by the US M47 Patton and M24 Chaffee. But the filmmakers had to use what was available to them in Spain in the non-CGI era of 1964. Speaking of the Spanish locations, some battle scenes were shot in flat, bare territory whereas the real locations, the Ardennes, were/are mountainous and forested. Thankfully, there are some sylvan sequences, as well as snowy ones, just not as much snow as in the real battle.

Critics also lambaste the film story-wise, but the filmmakers had to condense a 40-day battle into less than three hours and make it understandable and dramatic for the audience. The film gets the gist right and includes real-life pieces, like the infamous Malmedy Massacre. It also inspires interest in the subject to look up the real history.

Another highlight is the great cast with Robert Shaw outstanding as Colonel Hessler. Also featured are the likes of Henry Fonda, Robert Ryan, Charles Bronson, Telly Savalas, George Montgomery, James MacArthur and so on.

The movie runs 2 hours, 47 minutes and was shot in Spain (Sierra de Guadarrama mountain range and Madrid).

GRADE: B/B-

Review By: Wuchak

This film is created out of composite characters, most notably Henry Fonda, as a Lt. Colonel in Intelligence and Robert Shaw, as a Panzer Brigade Commander supposedly just recalled from the Russian Front, where he was “losing the war there”.

According to the official account, the part Robert Shaw fictitiously portrayed wasn’t the Colonel Hessler he was titled as, but; Joachim Peiper, and the following is from the official account; “The 6th Panzer Army included the elite of the Waffen-SS, including four Panzer divisions and five infantry divisions in three corps. SS-Obersturmbannführer Joachim Peiper led Kampfgruppe Peiper, consisting of 4,800 men and 600 vehicles, which was charged with leading the main effort. However, its newest and most powerful tank, the Tiger II heavy tank, consumed 3.8 litres (1 gal) of fuel to go 800 m (.5 mi), and the Germans had less than half the fuel they needed to reach Antwerp.”

The film was built around the German strategic objective being beyond their reach in fuel and other vital strategic materials. Why did they use fictitious characters where the real ones would have done even better? Less than 20 years after the war and the events makes the responsibility of depicting real historic and often heroic or infamous personalities a tall order for the mainstream cinema. One must remember that this was a commercial production, not an historic account.

The famous and catchy song, sung in the movie as a theme of the Panzer Corp., in German, “Panzerlied”, was written for the movie. It can be found on “You Tube” and is apparently both catchy and popular— it also didn’t happen that way.

Still, to be fair, when we first got a Video player, around 1981, the first movie I watched was “The Battle of The Bulge”, despite all its historical inaccuracies, because its entertaining and I’m sorry it has to end. In reality, it was more unpleasant than depicted and the Hollywood movie starring Van Johnson from around 1948, titled, “Battleground” presents a better reenactment, though also fictionalized and from the standpoint of 1 small allied unit rather than the broader scope depicted in “The Battle of the Bulge”.

This is an excellent, high budget film with good actors, and acting that shows both sides, and attempts to demonstrate what the “Battle of the Bulge” was actually about. It does this well, from a Hollywood standpoint, though films such as “Patton” were made a few years later using the real characters, and based on reliable source materials with somewhat less fictionalization.

Review By: lwpcolonel
My Favorite WWII Epic is Admittedly a Mixed Bag
VIEWED ON REGION 1 DVD FROM WARNER BROTHERS

This big, bloated epic re-creation of the battle which turned the tide of World War II manages to be on the most historically inaccurate and over-blown adventure pieces ever produced. It’s also one of the most entertaining war movies to grace the big screen. The combination of heroics and history shouldn’t work as well as it does.

Writers John Melson, Philip Yordan and Milton Sperling remain faithful to the broad outlines of the real battle, and then fill their story with several important fictional characters, and director Ken Annakin uses a combination of Hollywood heroics and historical accuracy to deliver an entertaining tale. The film relies solely on the excellently-shot action sequences and superb acting by the leads to hold it together.

Veteran director Ken Annakin knows how to make this film work. In the lead, Henry Fonda (“Midway”) seems to be having plenty of fun as Colonel Kiley. He gets to argue with people, shoot at Germans, fly in a plane, and even help fend off a Panzer attack – not bad for a civilian-turned-soldier, eh? On the flip-side, Robert Shaw (“Force 10 from Navarone”) is fantastic as the fanatical Colonel Hessler, a devoted Panzer officer who will stop at nothing to accomplish his mission. Hessler brings new meaning the Hollywood-Nazi-type: he’s brutal, nasty and dedicated despite the fact that he knows Germany cannot win the war.

The supporting cast is filled with the familiar faces of Charles Bronson, Ty Hardin, James MacArthur and Telly Savalas – but the real star is Hans Christian Blech (“The Longest Day”). As Conrad, the war-weary, aging German Corporal, it’s his best work in a war film. Conrad wants to go home and is devoted to Hessler, until he realizes that his commander’s dedication sits precariously on the edge of madness. His facial expressions – bug-eyed outbursts, sad frowns, frightened glances at strafing airplanes – have never been more convincing.

This epic was shot for the big screen using Cinerama, and the only way to appreciate the action sequences is to see this movie in widescreen. Pan-and-scan prints cut it down from a 2.7:1 ratio to 1.33:1 – that’s losing more than half of the image! It was shot on the vast plains of Spain, and although it looks nothing like the brutal winter in the Ardennes forest, this scenery makes from some very impressive landscapes for which to shoot colossal battle scenes. Annakin shows tanks facing off with each other on the plains and in the snow-encrusted woods and shows hand-to-hand fighting in the streets of a French city. These scenes are set to an excellent, rousing Ben Frankel score, which only adds to the excitement. There are hundreds of extras running about, as well as several dozen loud, clanking tanks. Annakin often places his camera on the front end of a tank, train or moving car to give the viewer a “you-are-there” perspective, a technique which is ruined with the pan-and-scan process.

The dramatic effect of the serious scenes is severely hampered by preposterous Hollywood heroics and some incredibly poor special effects. Quite often, the combat and destruction look incredibly real, but there are some truly laughable shots of exploding model tanks and roaring model trains, too. The battle scenes, notably a huge tank vs. tank battle and a conclusion involving an attempted German capture of an Allied fuel dump are incredibly corny and false-looking – first for their false-looking special effects, which looked bad even in 1965, and secondly for their placement in a desert rather than a snowy forest – which really destroyed the credibility Annakin had been working up to. A strong subplot involving an American tanker, Guffy (Telly Savalas, “The Dirty Dozen”) and another, centering on the Malmedy Massacre, help to offset this cheesiness.

“Battle of the Bulge” is a true Hollywood epic in every sense of the word. It may not be historically accurate, but it’s probably the most entertaining and engaging war film I’ve had the pleasure to watch. The characters are main fleshed out enough to keep the viewers interested, the scope is amazing and the direction often borders on brilliance as often as it fails miserably.

Review By: SgtSlaughter

Other Information:

Original Title Battle of the Bulge
Release Date 1965-12-16
Release Year 1965

Original Language en
Runtime 2 hr 47 min (167 min)
Budget 6500000
Revenue 11118000
Status Released
Rated Not Rated
Genre Drama, History, War
Director Ken Annakin
Writer Philip Yordan, Milton Sperling, John Melson
Actors Henry Fonda, Robert Shaw, Robert Ryan
Country United States
Awards 2 nominations
Production Company N/A
Website N/A


Technical Information:

Sound Mix 70 mm 6-Track (Westrex Recording System)
Aspect Ratio 2.20 : 1 (70 mm prints), 2.76 : 1 (negative ratio), 2.35 : 1 (35 mm prints)
Camera N/A
Laboratory Technicolor
Film Length N/A
Negative Format 65 mm (Eastman 50T 5251)
Cinematographic Process Ultra Panavision 70 (anamorphic)
Printed Film Format 35 mm, 70 mm

Battle of the Bulge 1965 123movies
Battle of the Bulge 1965 123movies
Battle of the Bulge 1965 123movies
Battle of the Bulge 1965 123movies
Battle of the Bulge 1965 123movies
Battle of the Bulge 1965 123movies
Original title Battle of the Bulge
TMDb Rating 6.912 204 votes

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