Jason Goes to Hell: The Final Friday 1993 123movies

Watch: Jason Goes to Hell: The Final Friday 1993 123movies, Full Movie Online – The secret of Jason’s evil is revealed. It is up to the last remaining descendant of the Voorhees family to stop Jason before he becomes immortal and unstoppable. This is the final (?) battle to end Jason’s reign of terror forever..
Plot: Jason Voorhees, the living, breathing essence of evil, is back for one fierce, final fling! Tracked down and blown to bits by a special FBI task force, everyone now assumes that he’s finally dead. But everybody assumes wrong. Jason has been reborn with the bone-chilling ability to assume the identity of anyone he touches. The terrifying truth is that he could be anywhere, or anybody. In this shocking, blood-soaked finale to Jason’s carnage-ridden reign of terror, the horrible secret of his unstoppable killing instinct is finally revealed. And once you know the chilling facts, you’ll see him in your nightmares! And he’ll see you in hell!
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Ratings:

	4.1/10 Votes: 33,404
	16% | RottenTomatoes
	17/100 | MetaCritic
	N/A Votes: 761 Popularity: 25.472 | TMDB

Reviews:

Decent watch, might watch again, but can’t recommend outside a Bad Movie Night or a Friday the 13th Marathon.

It’s both refreshing and sad to see them try to re-invent Jason. As a fan of “Fallen” I like the idea of the villain transferring from person to person, but they twist the concept a bit more than I would have wanted at points.

Adding a “chosen one” trope to this doesn’t do much for me. Having a nearly unkillable villain alone should be intriguing enough, adding extra rules to it doesn’t feel good.

I’d like to see a Marvel style reboot where the government has to try to contain the heart, and they figure out the minimum safe distance, creating a facility around it with animals going nuts, and someone breaks in to find out what it is and is possessed.

It’s not a great movie, and it’s probably a bad “Friday the 13th” movie, but I enjoyed it for what it is.

***Great intro & first act, but kinda distasteful and convoluted with a cartoony last act***

Released in 1993, “Jason Goes to Hell: The Final Friday,” aka Part IX, is the oddest entry in the series, along with the next one. But this isn’t much of a surprise since three of the previous four installments were departures from the typical Friday formula — Part V, VII (which features a Carrie-like character) and especially VIII (which switches the setting from Crystal Lake to a cruise ship and the big city).

The prologue shows Jason back at Crystal Lake. How’d he get back there after the events in Part VIII? The ending of that movie didn’t show Jason completely destroyed, so we must assume that he made it out of the sewers of Manhattan and simply gravitated back to his familiar stomping grounds, which is only about 75 miles away. Anyway, the opening is excellent and highlighted by the most stunning female in the entire series, Julie Michaels as Agent Marcus (which is saying a lot in light of the series having the best line of women of ANY movie franchise).

Jason’s corpse winds up in the morgue in Youngstown, Ohio, and the film takes an interesting twist reminiscent of the 80’s cult film “The Hidden.” Other bizarre additions to the Jason Voohees mythos include a magic blade, a strange “Jason-Finder General” character and the disclosure of the only way the infernal monster can be killed and resurrected. I don’t mind these revelations as the series was hackneyed after 8 films in 10 years from 1980-89, albeit still entertaining. Besides, there are enough typical Friday-isms to please fans of the series, for instance the entire camp sequence and the prologue, not to mention the return of an iconic character in the finale.

Some fans object to the main revelation on the grounds that Jason is supposedly a misunderstood man-child and this movie changes that. Actually the only films fitting this model are Parts II, XI and the 2009 remake. Parts I, V, VI, VII, and VIII were more in line with the idea of Jason as a force of darkness & evil, the curse on Crystal Lake or whatever. And Parts III and IV had him killing a pregnant girl, psychologically torturing the heroine, and attempting to kill a boy after slaying his mother, so he wasn’t exactly Lenny from “Of Mice and Men” as these critics maintain. Face it, although Jason may have been an innocent deformed child at one time, the seed of evil (possibly a demonic spirit) entered into his heart at some point and he increasingly became a hideous hellish monster and you have to give this entry credit for trying to fill in the bones with corpse flesh, whether you accept these surprises or not.

Unfortunately, there’s a distasteful element to the proceedings, which is offset by the black humor a bit, and the final act goes so over-the-top with the action and horror shenanigans that the movie becomes cartoonish and laughable. A good example is the campy fight between the deputy and Steven. As such, “Jason Goes to Hell” is one of my least favorite in the series, along with Parts III and VII. Nevertheless, it’s entertaining enough and gets extra points for trying something fresh and interesting.

Besides the awe-inspiring Agent Marcus in the prologue, we get a couple of cute campers, Deborah and Alexis, with Deborah (Michelle Clunie) particularly shining. There’s also Jessica, who turns out to be the main protagonist, her mom (the goddess Erin Gray from “Buck Rogers”) and Vicki from the restaurant. Needless to say, great job on the female front, but they coulda done more with Jessica.

For those who care (I don’t) this entry seriously ups the ante in the horrific gore factor.

As far as locations go, this installment goes back to Southern California in the tradition of Parts III, IV and V; specifically the Los Angeles area: West Hills and Thousand Oaks.

BOTTOM LINE: “Jason Goes to Hell” gets props for its radical departure from the Friday formula, even while containing “Friday” staples: youths, babes, Crystal Lake, slayings and so on. But there’s a disagreeable air despite the amusement and the final act spins out of control with quasi-horror zaniness. Still, any movie that features Agent Marcus and Deborah can’t be all bad.

The film runs 87 minutes (rated) and 90 minutes (unrated).

GRADE: C+/B-

“Jason Goes to Hell”- I’m sorry, but I appreciate and applaud the boldness of this entry. An interesting experiment in shaking up the franchise for the “Final Friday.”
If there’s one thing that can and should be said in defense of “Jason Goes to Hell: The Final Friday”, it’s this…

…this is one bold, gutsy move for the franchise! Completely subversive and joyously disparate when placed in comparison to the previous eight films. A bizarre, red-headed-stepchild with a strange and sharp leaning towards the overly fantastical and blatantly magical. Taking what had been to that point an increasingly repetitious series, and attempting to inject some fresh blood for what was at the time considered to be the one… last… film to cap it all off.

Is is a success? Well, I’d say for the most part, fans do consider it a failure because it strayed so much from the formula in trying to establish a grandiose finale. And I think I would probably consider it to be a bit of a failure for that very same reason. But it’s definitely a fascinating and daring failure. One that I can get behind. Especially after the increasing monotony of the previous two films.

Sue me, but I’ll take an interesting failure that attempts to shake up the formula over a bland retread any day of the week!

Jason Voorhees has finally been killed. After an FBI Sting Operation blows his body to smithereens, the town of Crystal Lake is finally able to settle down, knowing the figment that has haunted them for so many years is finally gone.

Or is he?

Nope! As it turns out, Jason has become something more than human, and his evil has given him the ability to possess others through some sort of relatively-unexplained magical means. Now, Jason is coming back to seek vengeance, taking the forms of various characters through body-swapping, intent on locating surviving members of the family, so that he may be reborn again through them in his original form. Now, his only living relative (Kari Keegan), her ex (John D. LeMay) and a bounty hunter who knows the truth about Jason (Steven Williams) must team up to stop him once and for all!

Look, this movie’s ridiculous. It’s completely out of left-field. It doesn’t really connect properly with the previous films. Its storyline is just bizarre. And it’s a completely different beast tonally from any of the other flicks…

…but it’s a lot of fun!

Director Adam Marcus and writers Jay Huguely and Dean Lorey seem to have a ton of ideas on how to exploit this ridiculous concept, and are given free reign to just go crazy. There’s a little something for everyone here. From a touch of the self-aware laughs that made “Jason Lives” so enjoyable, to some wild and whacked-out imagery (you won’t look at a straight-razor the same way again!) to some good old-fashioned kills that harken back to the first couple of movies, this film aims to deliver a roller-coaster ride from Hell… and it does deliver on that promise.

Add to that some likable performances, fun and inventive kinetic camera-work that knows how to make the best of it’s lowish budget, weirdly entertaining humor and plenty of gore to go around… and it produces a film that I find to be a decent bit of dumb-fun.

This movie is stupid. Beyond belief. And it doesn’t feel anything like the previous eight outtings. But I’m OK with that. It’s got a lot of insane-o concepts and ideas to play with, it knows exactly what it wants to be, and it’s got some fiendishly creative minds at it’s helm.

It’s a failure… but an entertaining and wildly ambitious failure that I can’t help but root for.

So I’m giving it a middle of the road 5 out of 10. If you’re a fan of the franchise and are open minded, give it a shot. You might be one of the proud few who really enjoys this off-the-rails nutcase- of-a- flick.

“Jason Goes to Hell”- I’m sorry, but I appreciate and applaud the boldness of this entry. An interesting experiment in shaking up the franchise for the “Final Friday.”
If there’s one thing that can and should be said in defense of “Jason Goes to Hell: The Final Friday”, it’s this…

…this is one bold, gutsy move for the franchise! Completely subversive and joyously disparate when placed in comparison to the previous eight films. A bizarre, red-headed-stepchild with a strange and sharp leaning towards the overly fantastical and blatantly magical. Taking what had been to that point an increasingly repetitious series, and attempting to inject some fresh blood for what was at the time considered to be the one… last… film to cap it all off.

Is is a success? Well, I’d say for the most part, fans do consider it a failure because it strayed so much from the formula in trying to establish a grandiose finale. And I think I would probably consider it to be a bit of a failure for that very same reason. But it’s definitely a fascinating and daring failure. One that I can get behind. Especially after the increasing monotony of the previous two films.

Sue me, but I’ll take an interesting failure that attempts to shake up the formula over a bland retread any day of the week!

Jason Voorhees has finally been killed. After an FBI Sting Operation blows his body to smithereens, the town of Crystal Lake is finally able to settle down, knowing the figment that has haunted them for so many years is finally gone.

Or is he?

Nope! As it turns out, Jason has become something more than human, and his evil has given him the ability to possess others through some sort of relatively-unexplained magical means. Now, Jason is coming back to seek vengeance, taking the forms of various characters through body-swapping, intent on locating surviving members of the family, so that he may be reborn again through them in his original form. Now, his only living relative (Kari Keegan), her ex (John D. LeMay) and a bounty hunter who knows the truth about Jason (Steven Williams) must team up to stop him once and for all!

Look, this movie’s ridiculous. It’s completely out of left-field. It doesn’t really connect properly with the previous films. Its storyline is just bizarre. And it’s a completely different beast tonally from any of the other flicks…

…but it’s a lot of fun!

Director Adam Marcus and writers Jay Huguely and Dean Lorey seem to have a ton of ideas on how to exploit this ridiculous concept, and are given free reign to just go crazy. There’s a little something for everyone here. From a touch of the self-aware laughs that made “Jason Lives” so enjoyable, to some wild and whacked-out imagery (you won’t look at a straight-razor the same way again!) to some good old-fashioned kills that harken back to the first couple of movies, this film aims to deliver a roller-coaster ride from Hell… and it does deliver on that promise.

Add to that some likable performances, fun and inventive kinetic camera-work that knows how to make the best of it’s lowish budget, weirdly entertaining humor and plenty of gore to go around… and it produces a film that I find to be a decent bit of dumb-fun.

This movie is stupid. Beyond belief. And it doesn’t feel anything like the previous eight outtings. But I’m OK with that. It’s got a lot of insane-o concepts and ideas to play with, it knows exactly what it wants to be, and it’s got some fiendishly creative minds at it’s helm.

It’s a failure… but an entertaining and wildly ambitious failure that I can’t help but root for.

So I’m giving it a middle of the road 5 out of 10. If you’re a fan of the franchise and are open minded, give it a shot. You might be one of the proud few who really enjoys this off-the-rails nutcase- of-a- flick.

Other Information:

Original Language en
Runtime 1 hr 27 min (87 min), 1 hr 31 min (91 min) (director’s cut) (USA)
Budget 3000000
Revenue 15938065
Status Released
Rated R
Genre Fantasy, Horror, Thriller
Director Adam Marcus
Writer Jay Huguely, Adam Marcus, Dean Lorey
Actors John D. LeMay, Kari Keegan, Kane Hodder
Country United States
Awards 5 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Stereo
Aspect Ratio 1.85 : 1
Camera N/A
Laboratory DeLuxe, Hollywood (CA), USA
Film Length N/A
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm