The Piano 1993 123movies

Watch: The Piano 1993 123movies, Full Movie Online – It is the mid-nineteenth century. Ada cannot speak and she has a young daughter, Flora. In an arranged marriage she leaves her native Scotland accompanied by her daughter and her beloved piano. Life in the rugged forests of New Zealand’s North Island is not all she may have imagined and nor is her relationship with her new husband Stewart. She suffers torment and loss when Stewart sells her piano to a neighbor, George. Ada learns from George that she may earn back her piano by giving him piano lessons, but only with certain other conditions attached. At first Ada despises George but slowly their relationship is transformed and this propels them into a dire situation..
Plot: After a long voyage from Scotland, pianist Ada McGrath and her young daughter, Flora, are left with all their belongings, including a piano, on a New Zealand beach. Ada, who has been mute since childhood, has been sold into marriage to a local man named Alisdair Stewart. Making little attempt to warm up to Alisdair, Ada soon becomes intrigued by his Maori-friendly acquaintance, George Baines, leading to tense, life-altering conflicts.
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Ratings:

	7.5/10 Votes: 89,232
	90% | RottenTomatoes
	89/100 | MetaCritic
	N/A Votes: 1213 Popularity: 14.323 | TMDB

Reviews:

**A great movie.**

For me, this is one of the great films of 1993. The story is not pretty, and we could almost call it “love in times of mud”, not only because of the continuous rain and the amount of mud on the set, but mainly because of the rudeness and brutality of the male characters. However, the film is very good, it’s engaging, captivating and really deserves to be brought back these days. Winner of three Oscars (Best Actress, Best Supporting Actress and Best Original Screenplay), I believe it just didn’t win more due to fierce competition from “Schindler’s List”. The film also won the prestigious Palme d’Or for Jane Campion in Cannes.

Set in the mid-19th century, the film begins with the marriage by proxy of Ada, a young, single mother, to a middle-class farmer settled in New Zealand. The British colony was still developing, there is a tense relationship between the whites and the native Maori, and Ada’s new husband is trying to buy more land on the island. We never understand what he does or what he intends to use them for, and the film ignores these details and focuses on the couple’s relationship. Ada is mute, but she has a special affection for her piano and plays very well. However, the new husband is not happy about it: the piano is large, it is heavy and the journey to his house is long, which is why he leaves the piano on the beach and ends up selling it to George Baines, an illiterate who, in a rather indecent proposal, allows Ada to play it on the condition that they become sexually involved, under the guise of alleged piano lessons. However, they end up falling in love and this will shake up Ada’s marriage.

This film is really the most beautiful work of Jane Campion, who brilliantly assures the direction and the script. Ada is a character we easily sympathize with, and Flora, her daughter (the name is never mentioned in the film), is endearingly tender and naive. It’s the way they hold us that supports the entire film. The melodrama, for me, is like the weakest part of the film: in addition to Ada marrying a brutal and indigestible husband, she ends up falling in love with a man who is equally unpleasant and who starts by taking advantage of a situation to satisfy his own sex needs and an unbelievable passion. Today, I think it would be very difficult for Campion to present a story like that without being shot in the public square by the most wary feminists.

The cast deserves an applause. Holly Hunter gives us the performance of her career playing Ada. Moving, suffering and unhappy, the actress managed to give her a strong personality and a great deal of obstinacy. Anna Paquin, still extremely young, is beautiful in her role and the way she plays with Hunter is truly touching. Due to her innocence and innate sense of justice, her character protects her mother, but, at the right moments, condemns her for her untimely and thoughtless attitudes. Sam Neill is effective and very good in the role of Ada’s husband. The actor manages to make his character detestable. Harvey Keitel is also very good in the role of Baines, and it was a surprise for me, since I tend to associate him more with action or thriller roles.

Technically, the film has an epic, melodramatic feel that instills depth, which was nice to feel. There are certain moments where it feels like the film is doing some self-importance, but I handled that well. The cinematography is truly excellent, and is beautifully shot. The filming locations were well-chosen, and shows us a wild and inhospitable side of New Zealand, a place that, for many of us, is unknown and arouses curiosity. I didn’t know, for example, that it was such a rainy place, but that makes sense, considering the location and the mountainous topography. A word of praise, also, for the costumes, very historically accurate. Finally, a word for the grandiose soundtrack, based naturally on piano, and composed by Michael Nyman.

Jane Campion’s third feature film, THE PIANO is a historical drama that tells of a Scottish woman, Ada McGrath (Holly Hunter), who is married off to a colonist in New Zealand that she has never met. Ada is mute, a development that mysteriously came upon her in childhood, but she is a virtuoso pianist and her cherished instrument is one way she communicates her feelings to the world. As Ada and her illegitimate daughter Flora (Anna Paquin) land on the shores of New Zealand’s South Island sometime in the mid-19th century, her new husband Stewart (Sam Neill) ignores her sign-language entreaties to carry her piano inland along with their other belongings. Feeling no love for this man she has been forced to marry, Ada is drawn into sexual bargaining with another colonist, Baines (Harvey Keitel) who offers to get her the piano back if she does what he wants.

The first half of this film is an interesting study in sexual power and the tragedy of a woman’s lot during this historical era. Neither Stewart or Baines are admirable men; Stewart is uncaring of Ada’s true passion for the piano, but Baines exploits her distress and powerlessness to get what he wants and he doesn’t respect consent. Unfortunately, as the film develops, Campion decides to ultimately turn this into a straight-up romance novel, where the heroine willingly gives in to the roguish bad-boy. I realize that Campion might go for the common desire of a woman to feel desired, but that shouldn’t come at the expense of glorifying a creep as she does here.

To better serve as a foil for Baines, Stewart’s squareness is played up, and the two characters are reduced to crude cutouts of a “good guy” and “bad guy”. This extends to a critique of 19th-century colonialism and racism: naturally, as the man who audiences are supposed to feel is disgusting and unattractive, Stewart is keen on stealing land from the indigenous Maori people. Baines, on the other hand, as the cool heartthrob, hangs out with the Maori and respects their culture even to the point of learning their language and tattooing his face.

Well, even if the actual plot is a ridiculous pulp fantasy, the production values are fine. New Zealand’s wild shore and rainforests are memorably captured by cinematographer Stuart Dryburgh. The film has a distinctive blue cast that unites the thick cover of the forest and the depths of the sea. While some controversy remains about the depiction of the Maori people here, they are still given a great deal of screen time and the ability to speak their own language on film. The piano-heavy soundtrack by English composer Michael Nyman is deservedly celebrated: deliberately anachronistic, its saccharine, minimalist feel of the 20th century represents Ada’s innermost thoughts.

There is good acting as well. Anna Paquin, of course, won an Oscar for her depiction of Flora, and one wouldn’t expect such mature composure and convincing emotions from a child of this age. Holly Hunter has to convey everything through gestures and facial expressions and she does this marvelously. One of the delights of Campion’s feature debut SWEETIE was Genevieve Lemon, and here in a supporting role she turns in here a mildly comedic performance that adds some levity to the severe sexual drama.

Seeing it again some two decades after it came out, THE PIANO feels like a rather slighter film than I remembered it, and it is difficult to understand what drew critics to the time to rave about it. I would really only recommend this to people with a specific interest in New Zealand or Michael Nyman’s soundtrack, but I don’t see this as an all-time classic.

Quite vivid
Jane Campion is a director of quiet unease. I was not a big admirer of her “Angel At My Table”, which had enormous possibilities but was suffocated under the filmmaker’s penchant for what I refer to as ‘ugly beauty’. Even the beautiful passages in this film are undermined by either something ghastly, something about to become ghastly, or something borne from ghastliness. A New Zealand woman in the 1800s becomes a mail-order bride for an uninterested working man; she’s a self-elected mute and communicates through her wizened little daughter (Oscar-winner Anna Pacquin, a bit over-the-top) and through her passion for playing the piano, which becomes a point of contention in her marriage. Engrossing human drama with a torrid undercurrent of sexuality and violence. Many people I’ve talked to about this film could not get with it, but perhaps that’s the fault of watching movies at home. In the theater, this was a slightly-dazed, rapturous and enveloping brew that held me spellbound until the lights went up. Movies like this don’t hold the same spell when butchered up by ads for the CBS comedies. Holly Hunter, Sam Neill and, most especially, Harvey Keitel all do terrific work. Hunter deservedly won a Best Actress Oscar. ***1/2 from ****

love for the piano and her man
For some reason I never saw this but I knew it was loved and had won awards for Jane Campion and others. Watching it now I realise how unusual the film is. The nineteenth century in New Zealand and out in the bush with Holly Hunter played as a mute and her child as the ten year old Anna Paquin and Sam Neill and Harvey Keitel. Especially with Keitel was a surprise after his Reservoir Dogs, and Bad Lieutenant both in 1992, the previous year. The sea, the beach and the forest are very well covered by the cinematography by Stuart Dryburgh and the reason that the beloved piano has to be least for a time out in the elements as it is so difficult to carry. Of course we are aware that it has to be brought back and Keitel helps but exacts his price. The child assists her mother by translating her words for her who gradually falls in love with Keitel which is a problem with her arranged marriage husband and her love for the piano and her man.

Other Information:

Original Language en
Runtime 2 hr 1 min (121 min), 1 hr 54 min (114 min) (Australia)
Budget 7000000
Revenue 40185556
Status Released
Rated R
Genre Drama, Music, Romance
Director Jane Campion
Writer Jane Campion
Actors Holly Hunter, Harvey Keitel, Sam Neill
Country Australia, France
Awards Won 3 Oscars. 65 wins & 56 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Stereo
Aspect Ratio 1.85 : 1
Camera Arriflex Cameras and Lenses
Laboratory Atlab Film Laboratory Service, Sydney, Australia, Atlab Film Laboratory, New Zealand
Film Length 3,308 m (Sweden)
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm